“O smile, going where? O upturned look:new, warm, receding surge of the heart--;alas, we are that surge. Does then the cosmic spacewe dissolve in taste of us? Do the angelsreclaim only what is theirs, their own outstreamed existence,or sometimes, by accident, does a bit of usget mixed in? Are we blended in their featureslike the slight vagueness that complicates the looksof pregnant women? Unnoticed by them in theirwhirling back into themselves? (How could they notice?)”

“Outside much has changed. I don't know how. But inside and before you, O my God, inside before you, spectator, are we not without action? We discover, indeed, that we do not know our part, we look for a mirror, we want to rub off the make-up and remove the counterfeit and be real. But somewhere a bit of mummery still sticks to us that we forget. A trace of exaggeration remains in our eyebrows, we do not notice that the corners of our lips are twisted. And thus we go about, a laughing-stock, a mere half-thing: neither existing, not actors.”

“And these thingsthat keep alive on departure know that you praise them; transient,they look to us, the most transient, to be their rescue.They want us to change them completely, in our invisible hearts,into -- O endlessly -- us! Whoever, finally, we may be.”

“For sometime now I have believed that it is our own force, all our own force that is still too great for us. It is true that we do not know it; but is it not just that which is most our own of which we know the least?”

“If no one else, the dying must notice how unreal, how full of pretense, is all that we accomplish here, where nothing is allowed to be itself.”

“Lovers, if Angels could understand them, might utterstrange things in the midnight air. For it seems that everything'strying to hide us. Look, the trees exist; the houseswe live in still stand where they were. We onlypass everything by like a transposition of air.And all combines to suppress us, partly as shame,perhaps, and partly as inexpressible hope.”

“If we only arrange our life in accordance with the principle which tells us that we must always trust in the difficult, then what now appears to us as the most alien will become our most intimate and trusted experience. How could we forget those ancient myths that stand at the beginning of all races, the myths about dragons that at the last moment are transformed into princesses? Perhaps all the dragons in our lives are princesses who are only waiting to see us act, just once, with beauty and courage.”