“Leaves that rustled, twigs that scraped and rattled. But the thin shapes weren't falling, they were scurrying head first down the tree-trunks at a speed that seemed to leave time behind. Some of them had no shape they could have lived with, and some might never have had any skin. She saw their shriveled eyes glimmer eagerly and their toothless mouths gape with an identical infantile hunger. Their combined weight bowed the lowest branches while they extended arms like withered sticks to snatch the child. ("With The Angels")”

“Eyes are shaped like leaves, mouths are shaped like leaves, and goodbyes are shaped like leaves. But my love, that is shaped like a tree.”

“She had fallen asleep with her head on his arm, the clockwork angel, still around her throat, resting against his shoulder just to the left of his collarbone. As she moved away, the clockwork angel slipped free and she saw to her surprise that where it had lain against his skin it had left a mark behind, no bigger than a shilling, in the shape of a pale white star.”

“The characters within a book were, from a certain point of view, identical on some fundamental level ‒ there weren't any images of them, no physical tangibility whatsoever. They were pictures in the reader's head, constructs of imagination and ideas, given shape by the writer's work and skill and the reader's imagination. Parents, of a sort.”

“In some ways, my mother was right; a tree does look the same from the top as it does from the bottom: same branches, starting as weighty limbs and narrowing to the tiniest twigs; same leaves, quivering in the slightest breeze or in the rush of the trains; same colors, same rustling, same gentle sway. But from earth, looking up, a tree is hopeful; it might be touching the sky. From above, looking down, you can see--it's stuck in the dust, just like us.”

“An aurora borealis rises over festive orchards; the branches of the trees immediately begin to bud, to blossom, to bend under the weight of their fruit. The child runs through the wild grass, heading for the Wall. It collapses like a big cardboard box, broadening the horizon and exorcising the fields, which extend over the plains as far as the eye can see...Run...And the child runs, laughing all the while, his arms spread out like a bird's wings.”