“The tags' chain stirs with the wind; and I sleepPaid, dead, and a soldier. Who fights for his own lifeLoses, loses: I have killed for my world, and am free.”

“The cat's asleep; I whisper "kitten"Till he stirs a little and begins to purr--He doesn't wake. Today out on the limb(The limb he thinks he can't climb down from)He mewed until I heard him in the house.I climbed up to get him down: he mewed.What he says and what he sees are limited.My own response is even more constricted.I think, "It's lucky; what you have is too."What do you have except--well, me?I joke about it but it's not a joke;The house and I are all he remembers.Next month how will he guess that it is winterAnd not just entropy, the universePlunging at last into its cold decline?I cannot think of him without a pang.Poor rumpled thing, why don't you seeThat you have no more, really, than a man?Men aren't happy; why are you?”

“Most of us know, now, that Rousseau was wrong: that man, when you knock his chains off, sets up the death camps. Soon we shall know everything the 18th century didn't know, and nothing it did, and it will be hard to live with us.”

“When I was young and miserable and prettyAnd poor, I'd wishWhat all girls wish: to have a husband,A house and children. Now that I'm old, my wishIs womanish:That the boy putting groceries in my carSee me. ”

“From my mother's sleep I fell into the State,And I hunched in its belly till my wet fur froze.Six miles from earth, loosed from the dream of life,I woke to black flak and the nightmare fighters.When I died they washed me out of the turret with a hose.”

“Before the bat could answer, the mockingbird exclaimed angrily: "You sound as if there were something wrong with imitating things!""Oh no," the bat said."Well then, you sound as if there something wrong with driving them off. It's my territory, isn't it? If you can't drive things off your own territory what can you do?"The bat didn't know what to say; after a minute the chipmunk said uneasily, "He just meant it's odd to drive them all off and then imitate them so well too.""Odd!" cried the mockingbird. "Odd! If I didn't it really would be odd. Did you ever hear of a mockingbird that didn't?"The bat said politely, "No indeed. No, it's just what mockingbirds do do. That's really why I made up the poem about it--I admire mockingbirds so much, you know."The chipmunk said, "He talks about them all the time.""A mockingbird's sensitive," said the mockingbird; when he said sensitive his voice went way up and way back down. "They get on my nerves. You just don't understand how much they get on my nerves. Sometimes I think if I can't get rid of them I'll go crazy.""If they didn't get on your nerves so, maybe you wouldn't be able to imitate them so well, the chipmunk said in a helpful, hopeful voice.”

“Someties it is hard to criticize, one wants only to chronicle. The good and mediocre books come in from week to week, and I put them aside and read them and think of what to say; but the "worthless" books come in day after day, like the cries and truck sounds from the street, and there is nothing that anyone could think of that is good enough for them.In the bad type of thin pamphlets, in hand-set lines on imported paper, people's hard lives and hopeless ambitions have expressed themselves more directly and heartbreakingly than they have ever expressed in any work of art:. it is as if the writers had sent you their ripped-out arms and legs, with "This is a poem" scrawled on them in lipstick. After a while one is embarrassed not so much for them as for poetry, which is for these poor poets one more of the openings against which everyone in the end beats his brains out; and one finds it unbearable that poetry should be so hard to write - a game of Pin the Tail on the Donkey in which there is for most of the players no tail, no donkey, not even a booby prize. If there were only some mechanism (like Seurat's proposed system of painting, or the projected Universal Algebra that Gödel believes Leibnitz to have perfected and mislaid) for reasonably and systematically converting into poetry what we see and feel and are!When one reads the verse of people who cannot write poems - people who sometimes have more intelligence, sensibility, and moral discrimination than most of the poets - it is hard not to regard the Muse as a sort of fairy godmother who says to the poet, after her colleagues have showered on him the most disconcerting and ambiguous gifts, "Well, never mind. You're still the only one that can write poetry.”