“A long time back, she thought, I dreamed a dream, and was enjoying it so much when someone wakened me, and that day I was born. And now? Now, let me see...She cast her mind back. Where was I? she thought. Ninety years...how to take up the thread and the pattern of that lost dream again? She put out a small hand. There...yes, that was it. She smiled. Deeper in the warm snow hill she turned her head upon her pillow. That was better. Now, yes, now she saw it shaping in her mind quietly, and with a serenity like a sea moving along an endless and self-refreshing shore. Now she let the old dream touch and lift her from the snow and drift her above the scarce-remembered bed.”

“Now she took the pills and, just before she closed her eyes, she summoned Lockie and his smile, and then the dreams would come.In her dream her golden boy tries again and again and again to stand up on the boogie board until he manages to remain upright for at least a minute. In her dream Sarah can feel the tears on her cheeks. Her golden boy was lost and she was too. She tried to dream that they found each other again but she couldn’t control her dreams any more than she could control her nightmares.”

“Marriage I thinkFor womenIs the best of opiates.It kills the thoughtsThat think about the thoughts,It is the best of opiates.So said Maria.But too long in solitude she'd dwelt,And too long her thoughts had feltTheir strength. So when the man drew near,Out popped her thoughts and covered him with fear.Poor Maria! Better that she had kept her thoughts on a chain,For now she's alone again and all in pain;She sighs for the man that went and the thoughts that stayTo trouble her dreams by night and her dreams by day.”

“And so when Mrs. Darling went back to the night-nursery to see if her husband was asleep, all the beds were occupied. The children waited for her cry of joy, but it did not come. She saw them, but she did not believe they were there. You see, she saw them in their beds so often in her dreams that she thought this was just the dream hanging around her still.”

“She sleeps. And now she wakes each day a little less. And, each day, takes less and less nourishment, as if grudging the least moment of wakefulness, for, from the movement under her eyelids, and the somnolent gestures of her hands and feet, it seems as if her dreams grow more urgent and intense, as if the life she lives in the closed world of dreams is now about to possess her utterly, as if her small, increasingly reluctant wakenings were an interpretation of some more vital existence, so she is loath to spend even those necessary moments of wakefulness with us, wakings strange as her sleepings. Her marvellous fate - a sleep more lifelike than the living, a dream which consumes the world.'And, sir,' concluded Fevvers, in a voice that now took on the sombre, majestic tones of a great organ, 'we do believe . . . her dream will be the coming century.'And, oh, God . . . how frequently she weeps!”

“And now she knew she could never find love in someone else. She knew the lines she treasured so long from the movie were wrong. There was no use searching for love in someone who was born for her. Even if he existed. Love existed in her own self. Inside her. But to comprehend it, to understand it, to awaken it, she needed the other person. Someone who would pull the right strings that made her sing, someone with whom she could share her feelings, her thoughts, her dreams. It was not just someone with whom she could grow old, someone with whom she could share the murmur of the brook.”