“Dad, will they ever come back?""No. And yes." Dad tucked away his harmonica. "No not them. But yes, other people like them. Not in a carnival. God knows what shape they'll come in next. But sunrise, noon, or at the latest, sunset tomorrow they'll show. They're on the road.""Oh, no," said Will."Oh, yes, said Dad. "We got to watch out the rest of our lives. The fight's just begun."They moved around the carousel slowly."What will they look like? How will we know them?""Why," said Dad, quietly, "maybe they're already here."Both boys looked around swiftly.But there was only the meadow, the machine, and themselves.Will looked at Jim, at his father, and then down at his own body and hands. He glanced up at Dad.Dad nodded, once, gravely, and then nodded at the carousel, and stepped up on it, and touched a brass pole.Will stepped up beside him. Jim stepped up beside Will.Jim stroked a horse's mane. Will patted a horse's shoulders.The great machine softly tilted in the tides of night.Just three times around, ahead, thought Will. Hey.Just four times around, ahead, thought Jim. Boy.Just ten times around, back, thought Charles Halloway. Lord.Each read the thoughts in the other's eyes.How easy, thought Will.Just this once, thought Jim.But then, thought Charles Halloway, once you start, you'd always come back. One more ride and one more ride. And, after awhile, you'd offer rides to friends, and more friends until finally...The thought hit them all in the same quiet moment....finally you wind up owner of the carousel, keeper of the freaks...proprietor for some small part of eternity of the traveling dark carnival shows....Maybe, said their eyes, they're already here.”

“Last night I thought about all the kerosene I've used in the past ten years. And I thought about books. And for the first time I realized that a man was behind each one of the books. A man had to think them up. A man had to take a long time to put them down on paper. And I'd never even thought that thought before...It took some man a lifetime maybe to put some of his thoughts down, looking around at the world and life, and then I come along in two minutes and boom! it's all over.”

“But why, why all the hurt? Because, said Mr. Halloway. You need fuel, gas, someting to run a carnival on, don't you? Women live off gossip, and what's gossip but a swap of headaches, sour spit, arthritic bones, ruptured and mended flesh, indiscretions, storms of madness, calms after the storms? If some people didn't have something juicy to chew on, their choppers would prolapse, their souls with them. Multiply their pleasure at funerals, their chuckling through breakfast obituaries, add all the cat-fight marriages where folks spend careers ripping skin off each other and patching it back upside around, add quack doctors slicing persons to read their guts like tea leaves, then sewing them tight with fingerprinted thread, square the whole dynamite factory by ten quadrillion, and you got the black candlepower of this one carnival.All the meannesses we harbor, they borrow in redoubled spades. They're a billion times itchier for pain, sorrow, and sickness than the average man. We salt our lives with other people's sins. Our flesh to us tastes sweet. But the carnival doesn't care if it stinks by moonlight instead of sun, so long as it gorges on fear and pain. That's the fuel, the vapor that spins the carousel, the raw stuffs of terror, the excruciating agony of guilt, the scream from real or imagined wounds. The carnival sucks that gas, ignites it, and chugs along its way.”

“And now, these books. This. He touched PHYSIOGNOMONIE. The secrets of the individual's character as found on his face. Were Jim and Will, then, featured all angelic, pure, half-innocent, peering up through the sidewalk at marching terror? Did the boys represent the ideal for your Woman, Man, or Child of Excellent Bearing, Color, Balance, and Summer Disposition?Converserly...Charles Halloway turned a page...did the scurrying freaks, the Illustrated Marvel, bear the foreheads of the Irascible, the Cruel, the Covetous, the mouths of the Lewd and Untruthful? the teeth of the Crafty, the Unstable, the Audacious, the Vainglorious, and your Marvelous Beast?No. The book slipped shut. If faces were judged, the freaks were no worse than many he'd been slipping from the liberty late nights in his long career.There was only one thing sure.Two lines of Shakespeare said it. He should write them in the middle of the clock of books, to fix the heart of his apprehension:By the pricking of my thumbs,Something wicked this way comes.So vague yet so immense.He did not want to live with it.Yet he knew that, during this night, unless he lived with it very well, he might have to live with it for all the rest of his life.At the window he looked out and thought Jim, Will, are you coming? will you get here?Waiting, his flesh took paleness from his bones.”

“And I thought about books. And for the first time I realized that a man was behind each one of the books. A man had to think them up. A man had to take a long time to put them down on paper. And I'd never even thought that thought before.”

“But you can't make people listen. They have to come round in their own time, wondering what happened and why the world blew up around them. It can't last.”

“He glanced back at the wall. How like a mirror, too, her face. Impossible; for how many people did you know who reflected your own light to you? People were more often--he searched for a simile, found one in his work--torches, blazing away until they whiffed out. How rarely did other people's faces take of you and throw back to you your own expression, your own innermost trembling thought?”