“Digression is the soul of wit. Take the philosophic asides away from Dante, Milton or Hamlet's father's ghost and what stays is dry bones.”

“She didn’t watch the dead, ancient bone-chess cities slide under, or the old canals filled with emptiness and dreams. Past dry rivers and dry lakes they flew, like a shadow of the moon, like a torch burning.”

“It doesn't matter what you do...so long as you change something from the way it was before you touched it into something that's like you after you take your hands away.”

“His flesh took paleness from his bones.”

“During the next few years I wrote a series of Martian pensées, Shakespearean "asides," wandering thoughts, long night visions, predawn half-dreams. The French, like St. John Perce, practice this to perfection. It is the half-poem, half-prose paragraph that runs as little as one hundred words or as long as a full page on any subject, summoned by weather, time, architectural facade, fine wine, good victuals, a view of the sea, quick sunsets, or a long sunrise. From these elements one upchucks rare hairballs or a maundering Hamlet-like soliloquy.”

“Somewhere the saving and putting away had to begin again and someone had to do the saving and keeping, one way or another, in books, in records, in people's heads, any way at all so long as it was safe, free from moths, silverfish, rust and dry rot and men with matches.”

“Well, Montag, take my word for it, I've had to read a few in my time, to know what I was about, and the books say nothing! Nothing you can teach or believe. They're about non-existent people, figments of imagination, if they're fiction. And if they're non-fiction, it's worse, one professor calling another an idiot, one philosopher screaming down another's gullet. All of them running about, putting out the stars and extinguishing the sun. You come away lost.”