“In order for a thing to be horrible it has to suffer a change you can recognize.”

“Can't you recognize the human in the inhuman?”

“That's what I want, a mental evidence I can feel. I don't want physical evidence, proof you have to go out and drag in. I want evidence that you can carry in your mind and always touch and smell and feel. But there's no way to do that. In order to believe in a thing you've got to carry it with you. You can't carry the Earth, or a man, in your pocket. I want a way to do that, carry things with me always, so I can believe in them. How clumsy to have to go to all the trouble of going out and bringing in something terribly physical to prove something. I hate physical things because they can be left behind and become impossible to believe in them.”

“And just holding her hand would be good. Can you understand that? Do you know that holding someone's hand can be `the' thing? Such a thing that your hands move while not moving. You can remember a thing like that, rather than any other thing about a night, all your life. Just holding hands can mean more, I believe it. When everything is repeated, and over, and familiar, it's the first things rather than the last that count.”

“They'll fry you, bleach you, change you! Crack you, flake you away until you're nothing but a husband, a working man, the one with the money who pays so they can come sit in there devouring their evil chocalates! Do you think you could control them?”

“I still love books. Nothing a computer can do can compare to a book. You can't really put a book on the Internet. Three companies have offered to put books by me on the Net, and I said, 'If you can make something that has a nice jacket, nice paper with that nice smell, then we'll talk.' All the computer can give you is a manuscript. People don't want to read manuscripts. They want to read books. Books smell good. They look good. You can press it to your bosom. You can carry it in your pocket.”

“Do you know why books such as this are so important? Because they have quality. And what does the word quality mean? To me it means texture. This book has pores. It has features. This book can go under the microscope. You'd find life under the glass, streaming past in infinite profusion. The more pores, the more truthfully recoded details of life per square inch you can get on a sheet of paper, the more 'literary' you are - Faber”