“Shakespeare wrote Moby-Dick, using Melville as a Ouija board.”

“Think of Shakespeare and Melville and you think of thunder, lightning, wind. They all knew the joy of creating in large or small forms, on unlimited or restricted canvases. These are the children of the gods.”

“There are many actors alone who haven't acted Pirandello or Shaw or Shakespeare for years because their plays are too aware of the world. We could use their anger. And we could use the honest rage of those historians who haven't written a line for forty years. True, we might form classes in thinking and reading.”

“Do you know why teachers use me? Because I speak in tongues. I write metaphors. Every one of my stories is a metaphor you can remember. The great religions are all metaphor. We appreciate things like Daniel and the lion’s den, and the Tower of Babel. People remember these metaphors because they are so vivid you can’t get free of them and that’s what kids like in school. They read about rocket ships and encounters in space, tales of dinosaurs. All my life I’ve been running through the fields and picking up bright objects. I turn one over and say, Yeah, there’s a story. And that’s what kids like. Today, my stories are in a thousand anthologies. And I’m in good company. The other writers are quite often dead people who wrote in metaphors: Edgar Allan Poe, Herman Melville, Washington Irving, Nathaniel Hawthorne. All these people wrote for children. They may have pretended not to, but they did.”

“My tunes and numbers are here. They have filled my years, the years when I refused to die. And in order to do that I wrote, I wrote, I wrote, at noon or 3:00 A.M.So as not to be dead.”

“[He] was always here to offer cups of good clear Walden Pond, or shout down the deep well of Shakespeare and listen, with satisfaction, for echoes. Here the lion and the hartebeest lay together, here the jackass became a unicorn.”

“It's a lonely life, but you're used to it now, aren't you?”