“The good writers touch life often. The mediocre ones run a quick hand over her. The bad ones rape her and leave her for the flies.”

“Good writers touch life often.”

“The more pores, the more truthfully recorded details of life per square inch you can get on a sheet of paper, the more 'literary' you are... The good writers touch life often.”

“She didn't want to know how a thing was done, but why.... Luckily, queer ones like her don't happen often.”

“It was the face of spring, it was the face of summer, it was the warmness of clover breath. Pomegranate glowed in her lips, and the noon sky in her eyes. To touch her face was that always new experience of opening your window one December morning, early, and putting out your hand to the first white cool powdering of snow that had come, silently, with no announcement, in the night. And all of this, this breath-warmness and plum-tenderness was held forever in one miracle of photographic is chemistry which no clock winds could blow upon to change one hour or one second; this fine first cool white snow would never melt, but live a thousand summers.”

“And just holding her hand would be good. Can you understand that? Do you know that holding someone's hand can be `the' thing? Such a thing that your hands move while not moving. You can remember a thing like that, rather than any other thing about a night, all your life. Just holding hands can mean more, I believe it. When everything is repeated, and over, and familiar, it's the first things rather than the last that count.”

“The autumn leaves blew over the moonlit pavement in such a way as to make the girl who was moving there seem fixed to a sliding walk, letting the motion of the wind and the leaves carry her forward. [...] The trees overhead made a great sound of letting down their dry rain.”