“All men who read escape from something else into what lies behind the printed page...”

“The realistic style is easy to abuse: from haste, from lack of awareness, from inability to bridge the chasm that lies between what a writer would like to be able to say and what he actually knows how to say. It is easy to fake; brutality is not strength, flipness is not wit, edge-of-the-chair writing can be as boring as flat writing; dalliance with promiscuous blondes can be very dull stuff when described by goaty young men with no other purpose in mind than to describe dalliance with promiscuous blondes.”

“Out of the apartment houses come women who should be young but have faces like stale beer; men with pulled down hats and quick eyes that look the street over behind the cupped hand that shields the match flame; worn intellectuals with cigarette coughs and no money in the bank; fly cops with granite faces and unwavering eyes; cookies and coke peddlers; people who look like nothing in particular and know it, and once in a while even men that actually go to work. But they come out early, when the wide cracked sidewalks are empty and still have dew on them. (from) "The High Window”

“I caught the rest of it in one of those snob columns in the society section of the paper. I don't read them often, only when I run out of things to dislike......I threw the paper into the corner and turned on the TV set. After the society page dog vomit even the wrestlers looked good.”

“I have a bad habit of starting a book and reading just far enough to make sure I want to read it and look forward to reading and then putting it to one side while I break the ice on a couple more. In that way, when I feel dull and depressed which is too often, I know I have something to read late at night when I do most of it and not that horrid blank feeling of not having anybody to talk to or listen to.”

“Police business is a hell of a problem. It’s a good deal like politics. It asks for the highest type of men, and there’s nothing in it to attract the highest type of men. So we have to work with what we get...”

“They just sat there looking back at me. The orange queen was clacking her typewriter. Cop talk was no more treat for her than legs to a dance director. They had the calm weathered faces of healthy men in hard condition. They had the eyes they always have, cloudy and grey like freezing water. The firm set mouth, the hard little wrinkles at the corners of the eyes, the hard hollow meaningless stare, not quite cruel and a thousand miles from kind. The dull ready-made clothes, worn without style, with a sort of contempt; the look of men who are poor and yet proud of their power, watching always for ways to make it felt, to shove it into you and twist it and grin and watch you squirm, ruthless without malice, cruel and yet not always unkind. What would you expect them to be? Civilization had no meaning for them. All they saw of it was the failures, the dirt, the dregs, the aberrations and the disgust.”