“I have a sense of exile from thought, a nostalgia of the quiet room and balanced mind. I am a writer, and there comes a time when that which I write has to belong to me, has to be written alone and in silence, with no one looking over my shoulder, no one telling me a better way to write it. It doesn't have to be great writing, it doesn't even have to be terribly good. It just has to be mine.”

“Everything a writer learns about the art or craft of fiction takes just a little away from his need or desire to write at all. In the end he knows all of the tricks and has nothing to say.”

“In writing a novel, when in doubt, have two guys come through the door with guns.”

“I have a bad habit of starting a book and reading just far enough to make sure I want to read it and look forward to reading and then putting it to one side while I break the ice on a couple more. In that way, when I feel dull and depressed which is too often, I know I have something to read late at night when I do most of it and not that horrid blank feeling of not having anybody to talk to or listen to.”

“The faster I write the better my output. If I'm going slow, I'm in trouble. It means I'm pushing the words instead of being pulled by them.”

“Best putdown of a copy editor ever award goes to Raymond Chandler, who, in a 1947 letter to the editor of the Atlantic Monthly, wrote: "By the way, would you convey my compliments to the purist who reads your proofs and tell him or her that I write in a sort of broken-down patois which is something like the way a Swiss waiter talks, and that when I split an infinitive, God damn it, I split it so it will stay split, and when I interrupt the velvety smoothness of my more or less literate syntax with a few sudden words of barroom vernacular, this is done with the eyes wide open and the mind relaxed but attentive.”

“The most durable thing in writing is style, and style is the single most valuable investment a writer can make with his time.”