“Philip Marlowe, 38, a private licence operator of shady reputation, was apprehended by police last night while crawling through the Ballona Storm Drain with a grand piano on his back. Questioned at the University Heights Police Station, Marlowe declared he was taking the piano to the Maharajah of Coot-Berar. Asked why he was wearing spurs, Marlowe declared that a client's confidence was sacred. Marlowe is being held for investigation. Chief Hornside said police were not yet ready to say more. Asked if the piano was in tune, Chief Hornside declared that he had played the Minute Waltz on it in thirty-five seconds and so far as he could tell there were no strings in the piano. He intimated that someting else was. A complete statement to the press will be made within twelve hours, Chief Hornside said abruptly. Speculation is rife that Marlowe was attempting to dispose of a body.”

“Charlie Marlowe never wrote horror, but somehow horror was writing Charlie Marlowe.”

“Do you know what the essential problem of the piano is?” he asked. He held me so his head was a few inches from my own. His eyes darted back and forth. “It is impossible to play continuously on a piano string like a violin. The problem is to sustain a note.”

“At the end of our visit, Fleisher agreed to play something on my piano, a beautiful old 1894 Bechstein concert grand that I had grown up with, my father's piano. Fleisher sat at the piano and carefully, tenderly, stretched each finger in turn, and then, with arms and hands almost flat, he started to play. He played a piano transcription of Bach's "Sheep May Safely Graze," as arranged for piano by Egon Petri. Never in its 112 years, I thought, had this piano been played by such a master-I had the feeling that Fleisher has sized up the piano's character and perhaps its idiosyncrasies within seconds, that he had matched his playing to the instrument, to bring out its greatest potential, its particularity. Fleisher seemed to distill the beauty, drop by drop, like an alchemist, into flowing notes of an almost unbearable beauty-and, after this, there was nothing more to be said.”

“And this also," said Marlow suddenly, "has been one of the dark places of the earth.”

“I tell you a secret about Chopin, piano is his best friend. More. He tells piano all his secrets.” - piano teacher Eleanora Sivan.”