“We have the whitest kitchens and the most shining bathrooms in the world. But in the lovely white kitchen the average [person] can’t produce a meal fit to eat, and the lovely shining bathroom is mostly a receptacle for deodorants, laxatives, sleeping pills, and the products of that confidence racket called the cosmetic industry. We make the finest packages in the world, Mr Marlowe. The stuff inside is mostly junk.”
In this quote by Raymond Chandler, the character is criticizing the superficiality of modern society. Through the metaphor of white kitchens and shining bathrooms, Chandler illustrates how appearances can be deceiving. The focus on outer beauty and material possessions distracts people from what truly matters - substance and quality. Chandler suggests that despite the outward appearance of perfection, the products of our society are often lacking in real value. This quote serves as a critique of consumerism and the emphasis placed on appearances over substance in contemporary culture.
Raymond Chandler's quote highlights the facade of perfection often portrayed in modern consumerism. Despite having the most luxurious and aesthetically pleasing products, the underlying quality is often lacking. This still holds true in today's society where superficial appearances often overshadow substance.
In today's world, we are bombarded with images of perfect kitchens and pristine bathrooms on social media and in advertisements. The focus is often on the outward appearance rather than the functionality or quality of the products. Many people prioritize style over substance, leading to a cycle of consumerism where we value the packaging more than the actual product inside. The cosmetic industry, in particular, thrives on selling products that promise beauty and perfection, but often fall short of delivering true efficacy.
Chandler's critique serves as a reminder to look beyond the shiny exterior and consider the true value and quality of the products we consume. It prompts us to question the authenticity and reliability of the products we are presented with, rather than simply being swayed by their visual appeal.
"We have the whitest kitchens and the most shining bathrooms in the world. But in the lovely white kitchen the average [person] can’t produce a meal fit to eat, and the lovely shining bathroom is mostly a receptacle for deodorants, laxatives, sleeping pills, and the products of that confidence racket called the cosmetic industry. We make the finest packages in the world, Mr Marlowe. The stuff inside is mostly junk."
This quote by Raymond Chandler raises thought-provoking questions about the nature of consumerism and the superficiality of material possessions. It prompts us to reflect on the value we place on outward appearances versus the substance beneath the surface. Consider the following questions as you ponder the meaning behind this quote:
“Man has always been a venal animal. The growth of populations, the huge costs of war, the incessant pressure of confiscatory taxation – all these things make him more and more venal. The average man is tired and scared, and a tired, scared man can’t afford ideals. He has to buy food for his family. In our time we have seen a shocking decline in both public and private morals. You can’t expect quality from people whose lives are a subjection to a lack of quality. You can’t have quality with mass production. You don’t want it because it lasts too long. So you substitute styling, which is a commercial swindle intended to produce artificial obsolescence. Mass production couldn’t sell its goods next year unless it made what is sold this year look unfashionable a year from now. We have the whitest kitchens and the most shining bathrooms in the world. But in the lovely white kitchen the average [person] can’t produce a meal fit to eat, and the lovely shining bathroom is mostly a receptacle for deodorants, laxatives, sleeping pills, and the products of that confidence racket called the cosmetic industry. We make the finest packages in the world, Mr Marlowe. The stuff inside is mostly junk.”
“The most durable thing in writing isstyle. It is a projection of personality and you haveto have a personality before you can project it. Itis the product of emotion and perception.”
“The most durable thing in writing is style, and style is the single most valuable investment a writer can make with his time.”
“The pebbled glass door panel is lettered in flaked black paint: "Philip Marlowe...Investigations." It is a reasonably shabby door at the end of a reasonably shabby corridor in the sort of building that was new about the year the all-tile bathroom became the basis of civilization. The door is locked, but next to it is another door with same legend which is not locked. Come on in--there's nobody here but me an a big bluebottle fly. But not if you're from Manhattan, Kansas.”
“Philip Marlowe, 38, a private licence operator of shady reputation, was apprehended by police last night while crawling through the Ballona Storm Drain with a grand piano on his back. Questioned at the University Heights Police Station, Marlowe declared he was taking the piano to the Maharajah of Coot-Berar. Asked why he was wearing spurs, Marlowe declared that a client's confidence was sacred. Marlowe is being held for investigation. Chief Hornside said police were not yet ready to say more. Asked if the piano was in tune, Chief Hornside declared that he had played the Minute Waltz on it in thirty-five seconds and so far as he could tell there were no strings in the piano. He intimated that someting else was. A complete statement to the press will be made within twelve hours, Chief Hornside said abruptly. Speculation is rife that Marlowe was attempting to dispose of a body.”
“I said: "Dead end - quiet, restful, like your town. I like a town like this." Marlowe (talking about Olympia) in a short story called Goldfish.”