“You're smiling. But you must know yourself, since you are a literary person, that the work of fiction is always a form of recovery of the past, even if that past has to be falsified to seem real. The act of recalling the past in what we write doesn't mean knowing the way it really was, but rather becoming the master of memories as they burn in the perilous instant of creation.”

“And I don't wanna hear you tell yourself That these feelings are in the past You know it doesn't mean they're off the shelf Because pain's built to last Everybody sails alone But we can travel side by side Even if you fail You know that no one really minds”

“But the worst enemy you can meet will always be yourself; you lie in wait for yourself in caverns and forests. Lonely one, you are going the way to yourself! And your way goes past yourself, and past your seven devils! You will be a heretic to yourself and witch and soothsayer and fool and doubter and unholy one and villain. You must be ready to burn yourself in your own flame: how could you become new, if you had not first become ashes?”

“Are you healed? One sure way to tell if you've healed from your past pain is to be aware of how you feel when someone brings it up. Are you anxious, sad, emotional? If you are, the wound has not completely healed. But if you can hear a name from your past, recall a memory without flinching, then you know that your scar tissue is protecting you and that inside you're healthy and strong again. It's a wonderful feeling to feel nothing at all when your hurtful past doesn't hurt anymore.”

“Who really can face the future? All you can do is project from the past, even when the past shows that such projections are often wrong. And who really can forget the past? What else is there to know?”

“Memory is fiction . . . All memory is a way of reconstructing the past. . . The act of narrating a memory is the act of creating fiction. [Armitstead, Claire. “Damon Galgut talks about his novel In a Strange Room.” The Guardian. 10 September 2010.]”