“I could put a book in his hands, but I couldn't take him by the ankles and dip him headfirst in another world. And for some reason, I knew even then that he needed it.”

“I refused to have bookshelves, horrified that I'd feel compelled to organise the books in some regimented system - Dewey or alphabetical or worse - and so the books lived in stacks, some as tall as me, in the most subjective order I could invent.Thus Nabokov lived between Gogol and Hemingway, cradled between the Old World and the New; Willa Cather and Theodore Dreiser and Thomas Hardy were stacked together not for their chronological proximity but because they all reminded me in some way of dryness (though in Dreiser's case I think I was focused mainly on his name): George Eliot and Jane Austen shared a stack with Thackeray because all I had of his was Vanity Fair, and I thought that Becky Sharp would do best in the presence of ladies (and deep down I worried that if I put her next to David Copperfield, she might seduce him).”

“So here, patient listener: your soothing epilogue. Imagine him happy. Imagine him spinning in circles... Imagine his heaven, where he can float through characters and books at will. (Let's dream him up a king, a giant, a boy who can fly.) Imagine him already there, under his covers with the flashlight.”

“I believed that books might save him because I knew they had so far, and because I knew the people books had saved. They were college professors and actors and scientists and poets. They got to college and sat on dorm floors drinking coffee, amazed they'd finally found their soul mates. They always dressed a little out of season. Their names were enshrined on the pink cards in the pockets of all the forgotten hardbacks in every library basement in America. If the librarians were lazy enough or nostalgic enough or smart enough, those names would stay there forever.”

“On my mental instant replay, I realized that obliquely comparing his family to the Nazis was maybe not my finest moment. He was quiet a second, and then he said, 'Did you know that Hitler anted to be an artist, but since he couldn't get into art school, he turned into a Nazi?' 'Yes, I remember that.' 'Just imagine if he got into art school, the whole world would be different.' I said, 'It just shows that people should be allowed to be who they are. If they can't, then they turn into nasty, sad people.' He started to laugh. 'What if you went to the art gallery, and the guy was like, "Here you see a beautiful Monet, and here on your left is an early Hitler." Wouldn't that be weird?' I couldn't think of any subtle way to turn it back around again. He said, 'You would go to the gift shop and buy Hitler postcards, and you'd go, "Oh, look at this beautiful Hitler. I'm going to hang it in my room!" And people would wear Hitler t-shirts.' 'Yes,' I said. 'That would have been better.”

“Because I couldn't think of anything nonprofane to say at that moment, I said nothing.”

“Without knowing I was going to, I started to laugh, a crazy laugh like Ian's the night before, and at first he looked worried, but then he started too. Even with the wind whipping past the station, even with Ian hugging his backpack to his chest for warmth, we were laughing, and not a laughter of release or a laughter that was really sadness in disguise. It was the laugh of the absurd. Your grandmother is a seventeen-year-old boy? That creepy Russian man just paid for your ticket? Ferret-Glo?”