“In a library in Missouri that was covered with vinesLived thousands of books in a hundred straight linesA boy came in at half past nineEvery Saturday, rain or shineHis book selections were clan-des-tine.”
“So here, patient listener: your soothing epilogue. Imagine him happy. Imagine him spinning in circles... Imagine his heaven, where he can float through characters and books at will. (Let's dream him up a king, a giant, a boy who can fly.) Imagine him already there, under his covers with the flashlight.”
“I believed that books might save him because I knew they had so far, and because I knew the people books had saved. They were college professors and actors and scientists and poets. They got to college and sat on dorm floors drinking coffee, amazed they'd finally found their soul mates. They always dressed a little out of season. Their names were enshrined on the pink cards in the pockets of all the forgotten hardbacks in every library basement in America. If the librarians were lazy enough or nostalgic enough or smart enough, those names would stay there forever.”
“Maybe that's why I prefer this new library to my own bedroom: looking at the million book spines, I can imagine a million alternate endings. It turned out the butler did it all, or I ended up marrying Mr. Darcy, or we went and watched a girl ride the merry-go-round in Central Park, or we beat on against the current in our little boats, or Atticus Finch was there when we woke up in the morning.”
“Ian once suggested that in addition to the mystery stickers and the sci-fi and animal ones, there should be special stickers for books with happy endings, books with sad endings, books that will trick you into reading the next in the series. 'There should be ones with big teardrops,' he said, 'like for the side of Where the Red Fern Grows. Because otherwise it isn't fair. Like maybe you're accidentally reading it in public, and then everyone will make fun of you for crying.' But what could I affix to the marvelous and perplexing tale of Ian Drake? A little blue sticker with a question mark, maybe. Crossed fingers. A penny in a fountain.”
“Isn't it what all librarians strive toward, at least in the movies and cliches? Silence, invisibility, nothing but a rambling cloud of old book dust.”
“Without knowing I was going to, I started to laugh, a crazy laugh like Ian's the night before, and at first he looked worried, but then he started too. Even with the wind whipping past the station, even with Ian hugging his backpack to his chest for warmth, we were laughing, and not a laughter of release or a laughter that was really sadness in disguise. It was the laugh of the absurd. Your grandmother is a seventeen-year-old boy? That creepy Russian man just paid for your ticket? Ferret-Glo?”