“A garden path,' write the landscape architects Charles W. Moore, William J. Mitchell, and William Turnbull, 'can become the thread of a plot, connecting moments and incidents into a narrative. The narrative structure might be a simple chain of events with a beginning, middle, and end. It might be embellished with diversions, digressions, and picaresque twists, be accompanied by parallel ways (subplots), or deceptively fork into blind alleys like the alternative scenerios explored in a detective novel.”

“Writing a balanced, beautiful novel, where plot and character and setting and pacing and narrative structure and imagery and, above all, story work in harmony and true proportion, is fucking *hard*." --Nicola Griffith,www.strangehorizons.com/2003/20030929...”

“Narratives are the primary way in which we make sense of our lives, as opposed to, for example schema,cognition, beliefs, constructs. Definition of narrative include the important element of giving meaning to events and experiences over time by connecting them as a developing, continuing story.”

“It would in retrospect appear to be a stop on a narrative path that was inevitable, but this is only because most events, most paths, feel inevitable in retrospect.”

“But that’s the trouble with moments—they end." ~Narrator”

“Nothing ever begins. There is no first moment; no single word or place from which this or any story springs. The threads can always be traced back to some earlier tale, and the tales that preceded that; though as the narrator's voice recedes the connections will seem to grow more tenuous, for each age will want the tale told as if it were of its own making.”