“Movies are made out of darkness as well as light; it is the surpassingly brief intervals of darkness between each luminous still image that make it possible to assemble the many images into one moving picture. Without that darkness, there would only be a blur. Which is to say that a full-length movie consists of half an hour or an hour of pure darkness that goes unseen. If you could add up all the darkness, you would find the audience in the theater gazing together at a deep imaginative night. It is the terra incognita of film, the dark continent on every map. In a similar way, a runner’s every step is a leap, so that for a moment he or she is entirely off the ground. For those brief instants, shadows no longer spill out from their feet, like leaks, but hover below them like doubles, as they do with birds, whose shadows crawl below them, caressing the surface of the earth, growing and shrinking as their makers move nearer or farther from that surface. For my friends who run long distances, these tiny fragments of levitation add up to something considerable; by their own power they hover above the earth for many minutes, perhaps some significant portion of an hour or perhaps far more for the hundred-mile races. We fly; we dream in darkness; we devour heaven in bites too small to be measured.”

“Once upon a time, there was only darkness, and there were monsters vast as worlds who swam in it. They were the Gibborium, and they loved the darkness because it concealed their hideousness. Whenever some other creature contrived to make light, they would extinguish it. When stars were born, they swallowed them, and it seemed that darkness would be eternal. But a race of bright warriors heard of the Gibborium and traveled from their far world to do battle with them. The war was long, light against dark, and many warriors were slain. In the end, when they vanquished the monsters, there were a hundred left alive, and these hundred were the godstars, who brought light to the universe.They made the rest of the stars, including our sun, and there was no more darkness, only endless light. They made children in their image- seraphim - and sent them down to beat light to the worlds that spun in space, and all was good. But one day, the last of the Gibborium, who was called Zamzumin, persuaded them that shadows were needed, that they would make the light seem brighter by contrast, and so the godstars brought shadows into being.But Zamzumin was a trickster. He needed only a shred of darkness to work with. He breathed life into the shadows, and as the godstars had made the seraphim in their own image, so did Zamzumin make the chimaera in his, and so they were hideous, and forever after the seraphim would fight on the side of light, and the chimaera for dark, and they would be enemies until the end of the world.”

“David had been photographing endangered species in the Hawaiian rainforest and elsewhere for years, and his collections of photographs and Suzie's tarot cards seemed somehow related. Because species disappear when their habitat does, he photographed them against the nowhere of a black backdrop (which sometimes meant propping up a black velvet cloth in the most unlikely places and discouraging climates), and so each creature, each plant, stood as though for a formal portrait alone against the darkness. The photographs looked like cards too, card from the deck of the world in which each creature describes a history, a way of being in the world, a set of possibilities, a deck from which cards are being thrown away, one after another. Plants and animals are a language, even in our reduced, domesticated English, where children grow like weeds or come out smelling like roses, the market is made up of bulls and bears, politics of hawks and doves. Like cards, flora and fauna could be read again and again, not only alone but in combination, in the endlessly shifting combinations of a nature that tells its own stories and colors ours, a nature we are losing without even knowing the extent of that loss.”

“Who doesn't have a dark place somewhere inside him that comes out sometimes when he's looking in a mirror? Dark and light, we are all made out of shadows like the shapes on a motion-picture screen. A lot of people think that the function of the projector is to throw light on the screen, just as the function of the story-teller is to stop fooling around and simply tell what happened, but the dark places must be there too, because without the dark places there would be no image and the figure on the screen would not exist.”

“The multiplication of technologies in the name of efficiency is actually eradicating free time by making it possible to maximize the time and place for production and minimize the unstructured travel time in between…Too, the rhetoric of efficiency around these technologies suggests that what cannot be quantified cannot be valued-that that vast array of pleasures which fall into the category of doing nothing in particular, of woolgathering, cloud-gazing, wandering, window-shopping, are nothing but voids to be filled by something more definite, more production, or faster-paced…I like walking because it is slow, and I suspect that the mind, like the feet, works at about three miles an hour. If this is so, then modern life is moving faster than the speed of thought or thoughtfulness.”

“In those moments of moving through the streets with people who share one's beliefs comes the rare and magical possibility of a kind of populist communion...At such times it is as though the still small pool of one's own identity has been overrun by a great flood, bringing its own grand collective desires and resentments, scouring out that pool so thoroughly that one no longer feels fear or sees the reflections of oneself but is carried along on that insurrectionary surge. These moments when individuals find others who share their dreams, when fear is overwhelmed by idealism or by outrage, when people feel a strength that surprises them, are moments in which they become heroes—for what are heroes but those so motivated by ideals that fear cannot sway them, those who speak for us, those who have power for good? A person who never feels it is condemned to cynicism and isolation. In those moments everyone becomes a visionary, everyone becomes a hero.”

“The desire to go home that is a desire to be whole, to know where you are, to be the point of intersection of all the lines drawn through all the stars, to be the constellation-maker and the center of the world, that center called love. To awaken from sleep, to rest from awakening, to tame the animal, to let the soul go wild, to shelter in darkness and blaze with light, to cease to speak and be perfectly understood.”