“In those moments of moving through the streets with people who share one's beliefs comes the rare and magical possibility of a kind of populist communion...At such times it is as though the still small pool of one's own identity has been overrun by a great flood, bringing its own grand collective desires and resentments, scouring out that pool so thoroughly that one no longer feels fear or sees the reflections of oneself but is carried along on that insurrectionary surge. These moments when individuals find others who share their dreams, when fear is overwhelmed by idealism or by outrage, when people feel a strength that surprises them, are moments in which they become heroes—for what are heroes but those so motivated by ideals that fear cannot sway them, those who speak for us, those who have power for good? A person who never feels it is condemned to cynicism and isolation. In those moments everyone becomes a visionary, everyone becomes a hero.”
“The art is not one of forgetting but letting go. And when everything else is gone, you can be rich in loss.”
“Reading these stories, it's tempting to think thatthe arts to be learned are those of tracking, hunting,navigating, skills of survival and escape. Even in theeveryday world of the present, an anxiety to survivemanifests itself in cars and clothes for far more ruggedoccasions than those at hand, as though to express somesense of the toughness of things and of readiness to facethem. But the real difficulties, the real arts of survival,seem to lie in more subtle realms. There, what's calledfor is a kind of resilience of the psyche, a readiness todeal with what comes next. These captives lay out in astark and dramatic way what goes on in every life: thetransitions whereby you cease to be who you were. Seldomis it as dramatic, but nevertheless, something ofthis journey between the near and the far goes on inevery life. Sometimes an old photograph, an old friend,an old letter will remind you that you are not who youonce were, for the person who dwelt among them, valuedthis, chose that, wrote thus, no longer exists. Withoutnoticing it you have traversed a great distance; thestrange has become familiar and the familiar if notstrange at least awkward or uncomfortable, an outgrowngarment. And some people travel far more thanothers. There are those who receive as birthright an adequateor at least unquestioned sense of self and thosewho set out to reinvent themselves, for survival or forsatisfaction, and travel far. Some people inherit valuesand practices as a house they inhabit; some of us have toburn down that house, find our own ground, build from scratch, even as a psychological metamorphosis.”
“[In mountaineering, if] we look for private experience rather than public history, even getting to the top becomes an optional narrative rather than the main point, and those who only wander in high places become part of the story.”
“Language is like a road, it cannot be perceived all at once because it unfolds in time, whether heard or read. This narrative or temporal element has made writing and walking resemble each other.”
“There isn't a story to tell, because a relationship is a story you construct together and take up residence in, a story as sheltering as a house. You invent this story of how your destinies were made to entwine like porch vines, you adjust to a big view in this direction and no view in that, the doorway that you have to duck through and the window that is jammed, how who you think you are becomes a factor of who you think he is and who he thinks you are, a castle in the clouds made out of the moist air exhaled by dreamers.”