“On July 29, six days after I had arrived in Paris, Fin and I moved into the new lodgings on the top floor of the hotel next door, where, beyond the pigeons who occupied the window ledge, you could see the turrets of Notre Dame. The concierge told us not to feed the birds, but we gave them our stale bread just the same, and so our flock became a feathered multitude, pushing and shoving one another behind the cracked glass. In the afternoons the light seemed to have feathers in it.”
“Paris is an ocean," a lawyer called Honoré said to me in a bar on the place Vendôme later that night. We were very drunk. "You can take as many soundings as you like, but you'll never reach the bottom of it. You can survey it, draw it, describe it. But, however thorough you are, however careful and scrupulous, something is always just beyond your reach. There will always be another unmapped cave, monsters, pearls, things undreamt of, overlooked by everyone else.”
“Beyond this point on the river Cambridge became a kind of miniature Venice, its river water lapping up against the ancient stone of college walls, here mottled and reddened brick, there white stone. Stained, lichened, softened by water light. Here the river became a great north-south tunnel, a gothic castle from the river, flanked by locked iron gates, steps leading nowhere, labyrinths, trapdoors, landing stages where barges had unloaded their freight: crates of fine wines, flour, oats, candles, fine meats carried into the damp darkness of college cellars.”
“I didn't like crab. Not at all. My stepmother had tricked my into eating a crab sandwich once in a cafe in Cromer, told me it was tuna. I'd never forgiven her.”
“Stepping into the smell of a long-abandoned aple crop, Cameron called towards the house, hoping to catch his mother's attention in the window where she would be sitting working”
“Isn't it always unfair - death always a kind of outrage? A life ended too soon with jagged and torn edges, a sentence incomplete.”
“I could never myself believe in God, if it were not for the cross. The only God I believe in is the One Nietzsche ridiculed as 'God on the cross.' In the real world of pain, how could one worship a God who was immune to it? I have entered many Buddhist temples in different Asian countries and stood respectfully before the statue of the Buddha, his legs crossed, arms folded, eyes closed, the ghost of a smile playing round his mouth, a remote look on his face, detached from the agonies of the world. But each time after a while I have had to turn away. And in imagination I have turned instead to that lonely, twisted, tortured figure on the cross, nails through hands and feet, back lacerated, limbs wrenched, brow bleeding from thorn-pricks, mouth dry and intolerably thirsty, plunged in Godforsaken darkness. That is the God for me! He laid aside his immunity to pain. He entered our world of flesh and blood, tears and death. He suffered for us. Our sufferings become more manageable in the light of his. There is still a question mark against human suffering, but over it we boldly stamp another mark, the cross that symbolizes divine suffering. 'The cross of Christ ... is God’s only self-justification in such a world” as ours....' 'The other gods were strong; but thou wast weak; they rode, but thou didst stumble to a throne; But to our wounds only God’s wounds can speak, And not a god has wounds, but thou alone.”