“Tell me again about the girl whose handshave no color. Whose hands are completelywhite. This time make them damned, oruntouched, or have her open a red umbrellaor point at some maple leaves and damnednear cry. Those hands. As freakish goes,I wish I had a tail. Maybe then you’d knowhow much I like you. It shakes me through,damn through. It shakes me. When she carriesa peacock feather. When she touches her neckor thighs. You’re a person. It’s not so bad.You have hands. You are a person with handsto hold things. Things you like. Tremendousthings. Tell me what you will hold today. Iknow there is room for everything. There is noneed to be ceremonious. Tell what gets let go.”

“You like doing that, don't you?''Yes, I like kissing you.''No,' she said, 'lifting me off my feet. Carrying me around. Pulling me down to kiss you whenever you get the urge.' She turned to him with a mock glare. 'I think it goes hand in hand with the telling me what to do stuff.'He didn't let go of her hand as he lifted his to run the back of one knuckle down her cheek. 'You like it, too.”

“She stood beside me for years, or was it a moment? I cannot remember. Maybe I loved her, maybe I didn't. There was a house, and then no house. There were trees, but none remain. When no one remembers, what is there? You, whose moments are gone, who drift like smoke in the afterlife, tell me something, tell me anything.”

“When I'm near you, I can feel you in here."She pressed her hand against her heart."And when you're gone, there's an emptiness there. And it hurts. and the pain only goes away when you're close again. Tell me, Zane, tell me what that is."~Portia”

“and the girl and I get into her car and drive off into the hills and we go to her room and I take off my clothes and lie on her bed and she goes into the bathroom and I wait a couple of minutes and then she finally comes out, a towel wrapped around her, and sits on the bed and I put my hands on her shoulders, and she says stop it and, after I let her go, she tells me to lean against the headboard and I do and then she takes off the towel and she's naked and she reaches into the drawer by her bed and brings out a tube of Bain De Soleil and she hands it to me and then she reaches into the drawer and brings out a pair of Wayfarer sunglasses and she tells me to put them on and I do. And she takes the tube of suntan lotion form me and squeezes some onto her fingers and then touches herself and motions for me to do the same, and I do. After a while I stop and reach over to her and she stops me and says no, and then places my hand back on myself and her hand begins again and after this goes on for a while I tell her that I'm going to come and she tells me to hold on a minute and that she's almost there and she begins to move her hand faster, spreading her legs wider, leaning back against the pillows, and I take the sunglasses off and she tells me to put them back on and I put them back on and it stings when I come and then I guess she comes too. Bowie's on the stereo and she gets up, flushed, and turns the stereo off and turns on MTV. I lie there, naked, sunglasses still on and she hands me a box of Kleenex. I wipe myself off then look through a Vogue that's lying by the side of the bed. She puts a robe on and stares at me. I can hear thunder in the distance and it begins to rain harder. She lights a cigarette and I start to dress ....”

“I rang the bell and she opened the door, dried her hands, and said heartily: 'Hello, stranger. I was just saying to Cliff only tonight, it's about time you showed up around here.' I wanted to detach him from her, but first I had to sit through about ten minutes of her. She was my sister, but you don't tell women things like I wanted to tell him. I don't know why, but you don't. You tell them the things you have under control; the things that you're frightened of, you tell other men if you tell anyone. ("Nightmare")”