“Even as rigorous a determinist as Karl Marx, who at times described the social behaviour of the bourgeoisie in terms which suggested a problem in social physics, could subject it at other times to a withering scorn which only the presupposition of moral responsibility could justify.”

“Karl Marx was right, socialism works, it is just that he had the wrong species”

“[Medieval] Art was not just a static element in society, or even one which interacted with the various social groups. It was not simply something which was made to decorate or to instruct — or even to overawe and dominate. Rather, it was that and more. It was potentially controversial in ways both similar and dissimilar to its couterpart today. It was something which could by its force of attraction not only form the basis for the economy of a particular way of life, it could also come to change that way of life in ways counter to the original intent. Along with this and because of this, art carried a host of implications, both social and moral, which had to be justified. Indeed, it is from the two related and basic elements of justification and function — claim and reality — that Bernard approaches the question of art in the Apologia.”

“Angling is tightly woven in a fabric of moral, social, and philosophical threads which are not easily rent by the violent climate of our times.”

“We have a social responsibility, a constitutional opportunity and a moral obligation to help others.”

“Backlock, a poet blind from his birth, could describe visual objects with accuracy; Professor Sanderson, who was also blind, gave excellent lectures on color, and taught others the theory of ideas which they had and he had not. In the social sphere these gifted ones are mostly women; they can watch a world which they never saw, and estimate forces of which they have only heard. We call it intuition.”