“She wore a loose bathrobe that covered up a body that would have won first prize in a beauty contest for cement blocks.....She had a voice that made pearl harbour sound like a lullaby.”

“Vida was sound asleep when I went back to my room. I turned on the light and it woke her up. She was blinking and her face had that soft marble quality to it that beautiful women have when they are suddenly awakened and are not quite ready for it yet. "What's happening?" she said. "It's another book," she replied, answering her own question. "Yes," I said. "What's it about?" she said automatically like a gentle human phonograph. "It's about growing flowers in hotel rooms.”

“Congratulations," I said. "It's so wonderful to write a book." "I walked all the way here," she said. "I started at midnight. I would have gotten here sooner if I weren't so old." "Where do you live?" I said. "The Kit Carson Hotel," she said. "And I've written a book." Then she handed it proudly to me as if it were the most precious thing in the world. And it was. It was a loose-leaf notebook of the type that you find everywhere in America. There is no place that does not have them. There was a heavy label pasted on the cover and written in broad green crayon across the label was the title: GROWING FLOWERS BY CANDLELIGHT IN HOTEL ROOMS BY MRS. CHARLES FINE ADAMS”

“I will be very careful the next time I fall in love, she told herself. Also, she had made a promise to herself that she intended on keeping. She was never going to go out with another writer: no matter how charming, sensitive, inventive or fun they could be. They weren't worth it in the long run. They were emotionally too expensive and the upkeep was complicated. They were like having a vacuum cleaner around the house that broke all the time and only Einstein could fix it. She wanted her next lover to be a broom.”

“There was a fine thing about that trout. I only wish I could have made a death mask of him. Not of his body though, but of his energy. I don't know if anyone would have understood his body. I put it in my creel.”

“Yukiko rolled over.That plain, that simple.Her body was small in its moving.And her hair followed, dreaming her as she moved.A cat, her cat, in bed with her was awakened by her moving, and watched her turn slowly over in bed. When she stopped moving, the cat went back to sleep.It was a black cat and could have been a suburb of her hair.”

“Hinged to forgetfulness like a door,she slowly closed out of sight,and she was the woman I loved,but too many times she slept likea mechanical deer in my caresses,and I ached in the metal silenceof her dreams.”