“For the intellectual, material comforts are relatively unimportant.”

“There are all sorts of things that would be comforting. I expect an injection of morphine would be comforting... But to say that something is comforting is not to say that it's true. ”

“I caution against communication because once language exist only to convey information, it is dying.In news articles the relation of the words to the subject is a strong one. The relation of the words to the writer is weak. (Since the majority of your reading has been newspapers, you are used to seeing language function this way).When you write a poem these relations must reverse themselves: The relation of the word to the subject must weaken – the relation of the words to the writer (you) must take on strength. This is probably the hardest thing about writing poemsIn a poem you make something up, say for example a town, but an imagined town is at least as real as an actual town. If it isn’t you may be in the wrong business.Our triggering subjects, like our words, come from obsessions we must submit to, whatever the social cost. It can be hard. It can be worse 40 years from now if you feel you could have done it and didn’t.RICHARD HUGOPublic versus private poets:With public poets the intellectual and emotional contents of the words are the same for the reader as for the writer. With the private poet, the words, at least certain key words, mean something to the poet they don’t mean to the reader. A sensitive reader perceives this relation of poet to word and in a way that relation – the strange way the poet emotionally possesses his vocabulary – is one of the mysteries and preservative forces of the art.If you are a private poet, then your vocabulary is limited by your obsessions.In fact, most poets write the same poem over and over. (Wallace Stevens was honest enough not to try to hide it. Frost’s statement that he tried to make every poem as different as possible from the last one is a way of saying that he knew it couldn’t be).”

“In the same way, we have to inform the multitude that restoration comes at a price. Suppose we give them an intimation of the cost through a series of questions. Are you ready, we must ask them, to grant that the law of reward is inflexible and that one cannot, by cunning or through complaints, obtain more than he puts in? Are you prepared to see that comfort may be a seduction and that the fetish of material prosperity will have to be pushed aside in favor of some sterner ideal? Do you see the necessity of accepting duties before you begin to talk of freedoms?”

“The very nature of the objective universe turns any spiritual faith and ideals into courageous acts of subjectivity, constantly vulnerable to intellectual negation.”

“Needs? I guess that is what bothers so many folks. They keep expanding their needs until they are dependent on too many things and too many other people... I wonder how many things in the average American home could be eliminated if the question were asked, "Must I really have this?" I guess most of the extras are chalked up to comfort or saving time.Funny thing about comfort - one man's comfort is another man's misery. Most people do't work hard enough physically anymore, and comfort is not easy to find. It is surprising how comfortable a hard bunk can be after you come down off a mountain.”

“The truths embodied in historical stories are thus not absolute or universal, but relative to the cultural context in which they are made.”