“I thought that the difference between a successful life and an unsuccessful one, between me at that moment and all the people who owned the cars that were nosed-in to their proper places in the lot, maybe between me and that woman out in the trailers by the gold mine, was how well you were able to put things like this out of your mind and not be bothered by them, and maybe too, by how many troubles like this one you had to face in a lifetime.”

“Then, what's the matter?' I wonder, in fact, how many times I have said that or something equal to it to a woman passing palely through my life. What're you thinking? What's made you so quiet? You seem suddenly different. What's the matter? Love me is what this means, of course. Or at least, second best: surrender. Or at the very least, take some time regaling me with why you won't, and maybe by the end you will.”

“A sad fact, of course, about adult life is that you see the very things you'll never adapt to coming toward you on the horizon. You see them as the problems they are, you worry like hell about them, you make provisions, take precautions, fashion adjustments; you tell yourself you'll have to change your way of doing things. Only you don't. You can't. Somehow it's already too late. And maybe it's even worse than that: maybe the thing you see coming from far away is not the real thing, the thing that scares you, but its aftermath. And what you've feared will happen has already taken place. This is similar in spirit to the realization that all the great new advances of medical science will have no benefit for us at all, thought we cheer them on, hope a vaccine might be ready in time, think things could still get better. Only it's too late there too. And in that very way our life gets over before we know it. We miss it. And like the poet said: The ways we miss our lives are life.”

“I walked out of the condos onto the flat lithesome beach this morning, and took a walk in my swimming trunks and no shirt on. And I thought that one natural effect of life is to cover you in a thin layer of . . . what? A film? A residue or skin of all the things you've done and been and said and erred at? I'm not sure. But you are under it, and for a long time, and only rarely do you know it, except that for some unexpected reason or opportunity you come out--for an hour or even a moment--and you suddenly feel pretty good. And in that magical instant you realize how long it's been since you felt just that way. Have you been ill, you ask. Is life itself an illness or a syndrome? Who knows? We've all felt that way, I'm confident, since there's no way that I could feel what hundreds of millions of other citizens haven't.Only suddenly, then, you are out of it--that film, that skin of life--as when you were a kid. And you think: this must've been the way it was once in my life, though you didn't know it then, and don't really even remember it--a feeling of wind on your cheeks and your arms, of being released, let loose, of being the light-floater. And since that is not how it has been for a long time, you want, this time, to make it last, this glistening one moment, this cool air, this new living, so that you can preserve a feeling of it, inasmuch as when it comes again it may just be too late. You may just be too old. And in truth, of course, this may be the last time that you will ever feel this way again.”

“For, how else to seize such an instant? How to shout out into the empty air just the right words, and on cue? Frame a moment to last a lifetime?”

“I had more positive views. Which made me feel that although I hadn't been taught to assimilate, a person perhaps assimilated without knowing it. I was doing it now. You did it alone, and not with other or for them. And assimilating possibly wasn't so hard and risky and didn't need to be permanent. This state of mind conferred another freedom on me and was like starting life over, or as I've already said, becoming someone else -- but someone who was not stalled but moving, which was the nature of things in the world. I could like it or hate it, but the world would change around me no matter how I felt.”

“She looked at me and the expression on her face was an expression of dislike, one I hadn't seen before but knew right away. Later I would see it turned toward other people. But the first time was looking at me and was because she believed she'd done all she could that was correct and the best thing, and it had only gotten her stuck with me. And I couldn't do anything that mattered. Though if I could I would've had my father be there, or Warren Miller, or somebody who had the right words that would take the place of hers, anybody she could speak to without just hearing her own voice in a room and having to go about the trouble of pretending she did not feel absolutely alone.”