“That the man in the bed was the one whom, to my cost, I had suffered myself to stumble on the night before, there could, of course, not be the faintest doubt. And yet, directly I saw him, I recognised that some astonishing alteration had taken place in his appearance. To begin with, he seemed younger,— the decrepitude of age had given place to something very like the fire of youth. His features had undergone some subtle change. His nose, for instance, was not by any means so grotesque; its beak-like quality was less conspicuous. The most part of his wrinkles had disappeared, as if by magic. And, though his skin was still as yellow as saffron, his contours had rounded,— he had even come into possession of a modest allowance of chin. But the most astounding novelty was that about the face there was something which was essentially feminine; so feminine, indeed, that I wondered if I could by any possibility have blundered, and mistaken a woman for a man; some ghoulish example of her sex, who had so yielded to her depraved instincts as to have become nothing but a ghastly reminiscence of womanhood.”

Richard Marsh

Richard Marsh - “That the man in the bed was the one...” 1

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