“Over the years, Raul remembered many events like if they were TV shows, especially at night, like when he and Alberto cruised around town. The open windows, the wide space of the desert, allowed room for his thoughts to emerge. Some memories played over and over again, like the re-runs he watched during the summer. And depending on the events, he didn’t mind having to sit through them. At least his memories weren’t interrupted with commercials. Click . . . Click . . . Click . . .”

“It wasn’t permanent like the limestone cross that flagged the mountain peak in the horizon, so he made sure to write it down. After making the sign of the cross, a deep hunger pulled his weight to the bottom of La Loma.”

“Well, someone told someone and someone told someone else, you know how it is, that if you filled jugs with water and placed them around the edges of your lawn that you’d be protected. Ghost and witches can’t cross over water, it turns out.”

“Ruly learned how to drown the summer his family left Lomaland for good.”

“A retaliator behaves like a hawk when he is attacked by a hawk, and like a dove when he meets a dove. When he meets another retaliator he plays like a dove. A retaliator is a conditional strategist. His behaviour depends on the behaviour of his opponent.”

“My memory is coming back. It is curious how it comes. Each day, a rush of pieces, loosely connected, unimportant bits, snake through me. They click, click, click into my brain, like links being snapped together. And then they are done. A small chain of memories that fill in one tiny part of my life. They come out of nowhere, and most are not important.”

“Jane remembers those years, though, as if they had been [a movie]--in part because her friends...always talked about everything as if it was over ("Remember last night?"), while holding out the possibility that whatever happened could be rerun. Neil didn't have that sense of things. He thought people shouldn't romanticize ordinary life. "Our struggles, our little struggles," he would whisper, in bed, at night. Sometimes he or she would click on some of the flashlights and consider the ceiling, with the radiant swirls around the bright nuclei, the shadows like opened oysters glistening in brine. (In the '80s, the champagne was always waiting.)”