“The hours spent forming a written work can make one obsessive, distracted, compulsive, and neurotic even, especially when it comes to those rare, precious occasions of streaming pure inspiration. To have a muse moment interrupted - to watch her scuttle back into hiding with unshared insight remaining on the tip of her tongue - is a wicked irritation. When a writer's eyes glaze over, when she stares off at nothing or appears to be memorizing the lines on a blank page, when she falls asleep at the desk... tiptoe softly. For a writer's greatest desire is to receive inspiration; her greatest nightmare, to have tossed to the wind what could have been captured in words.”

“Right now the nightmares were in her waking hours so she needed to stay asleep. She was broken. Shattered. Devastated. Crushed. There was nothing left of the woman she had been. She could see it in her eyes. When she was awake she had to acknowledge her brokenness. She had to admit to herself that she might never be fixed. It was too much to think about. Her boy had to come back and, until he did, she needed to stay in her dreams.”

“Allowing anyone, even Mairelon, not only to come close to her, but to circle her waist with his arms brought back old fears, though she had to admit that the sensation was pleasurable on those rare occasions when she could relax enough to enjoy it.”

“There are, it seems, two muses: the Muse of Inspiration, who gives us inarticulate visions and desires, and the Muse of Realization, who returns again and again to say "It is yet more difficult than you thought." This is the muse of form. It may be then that form serves us best when it works as an obstruction, to baffle us and deflect our intended course. It may be that when we no longer know what to do, we have come to our real work and when we no longer know which way to go, we have begun our real journey. The mind that is not baffled is not employed. The impeded stream is the one that sings.”

“Tatiana lived for that evening hour with him that propelled her into her future and into the barely formed, painful feelings that she could neither express nor understand. Friends walking in the lucent dusk. There was nothing more she could have from him, and there was nothing more she wanted from him but that one hour at the end of her long day when her heart beat and her breath was short and she was happy.”

“I'm looking for a writer who doesn't know where the sentence is leading her; a writer who starts with her obsessions and whose heart is bursting with love, a writer sly enough to give the slip to her secret police, the ones who know her so well, the ones with the power to accuse and condemn in the blink of an eye. It's all right that she doesn't know what she's thinking until she writes it, as if the words already exist somewhere and draw her to them. She may not know how she got there, but she knows when she's arrived.”