“But I didn't know about the other story.""What other story?”"About how you and Adrian Ivashkov are—""No, whatever you heard it’s not true.""But it was really romantic""Then it’s definitely not true.”

“In the end nothing matters but the work. You can’t control how it’s taken, and the act of telling a story always involves a gap. Sometimes confusion is the risk of ambiguity–I say that to students all the time. It’s true at the fireside and it’s true in the parlor, and it’s true in made-up towns and New York. Two humans face one another, words come out of one, words go into the other mind through the ears and eyes of the listener. It’s a story. It’s simple. The gap is the thing. Make sure you build the bridge.”

“You see, in every story, it’s not about the ending. It’s about the chapters in between and how you make it through them”

“The main rule of writing is that if you do it with enough assurance and confidence, you’re allowed to do whatever you like. (That may be a rule for life as well as for writing. But it’s definitely true for writing.) So write your story as it needs to be written. Write it honestly, and tell it as best you can. I’m not sure that there are any other rules. Not ones that matter.”

“How do you know, when you think blue — when you say blue — that you are talking about the same blue as anyone else?You cannot get a grip on blue.Blue is the sky, the sea, a god’s eye, a devil’s tail, a birth, a strangulation, a virgin’s cloak, a monkey’s ass. It’s a butterfly, a bird, a spicy joke, the saddest song, the brightest day.Blue is sly, slick, it slides into the room sideways, a slippery trickster.This is a story about the color blue, and like blue, there’s nothing true about it. Blue is beauty, not truth. ‘True blue’ is a ruse, a rhyme; it’s there, then it’s not. Blue is a deeply sneaky color.”

“First and foremost, God is the true hero of the story. No matter how captivating the other characters may be, our top priority is to discover what the Bible reveals about God.”