“Between the sleeping and the waking, it is there. Between the rising and the resting, it is there.It is always there. It gnaws on my heart. It chews on my soul.I turn aside and see it. I stop my ears and hear it. I cover myself and feel it.There are no human words for what I mean.It is the language of the bare bough and the cold stone, pronounced in the fell wind's sullen whisper and the metronomic drip-drip of the rain. It is the song the falling snow sings and the discordant clamour of sunlight ripped apart by the canopy and miserly filtered down.It is what the unseeing eye sees. It is what the deaf ear heres.It is the romantic ballad of death's embrace; the solemn hymn of offal dripping from bloody teeth; the lamentation of the bloated corpse rotting in the sun; the graceful ballet of maggots twisting in the ruins of God's temple.Here in this gray land, we have no name. We are the carcasses reflected in the yellow eye.Our bones are bleached within our skin; our empty sockets regard the crow.Here in this shadow country, our tiny voices scratch like a fly's wing against unmoving air.Ours is the language of imbeciles, the gibberish of idiots. The root and the vine have more to say than us.”

“Language is the element of definition, the defining and descriptive incantation. It puts the coin between our teeth. It whistles the boat up. It shows us the city of light across the water. Without language there is no poetry, without poetry there’s just talk. Talk is cheap and proves nothing. Poetry is dear and difficult to come by. But it poles us across the river and puts a music in our ears. It moves us to contemplation. And what we contemplate, what we sing our hymns to and offer our prayers to, is what will reincarnate us in the natural world, and what will be our one hope for salvation in the What’sToCome.”

“One might almost say that an apparition is human vision corrected by divine love. I do not see you as you really are, Joseph; I see you through my affection for you. The Miracles of the Church seem to me not to rest so much upon faces or voices or healing power coming suddenly near to us from afar off, but upon our perceptions being made finer, so that for a moment our eyes can see and our ears can hear what is there about us always.”

“Wisdom comes through suffering.Trouble, with its memories of pain,Drips in our hearts as we try to sleep,So men against their willLearn to practice moderation.Favours come to us from gods.”

“The desire to know the future gnaws at our bones. That is where it started, and might have ended, years ago.I had cast the stones, seeing their faces flicker and fall: Death, Love, Murder, Treachery, Hope. We are a treacherous people - half of our stones show betrayal and violence and death from those close, death from those far away. It is not so with other peoples. I have seen other sets that show only natural disasters: death from sickness, from age, the pain of a broken heart, loss in childbirth. And those stones are more than half full with pleasure and joy and plain, solid warnings like "You reap what you sow" and "Victory is not the same as satisfaction."Of course, we live in a land taken by force, by battle and murder and invasion. It is not so surprising that our stones reflect our history.”

“He said something like that:“In all languages in the world, there is the same proverb: ‘What the eyes don’t see, the heart doesn’t grieve over.’ Well, I say that there isn’t any ounce of truth in it. The further off they are, the closer to the heart are all those feelings that we try to repress and forget. If we’re far from exile, we want to store away every tiny memory of our roots. If we’re far from the person we love, everyone we pass in the street reminds us of them.At the end of the service, I went up to him and thanked him: I said I was a stranger in a strange land, and I thanked him for reminding me that what the eyes don’t see, the heart does grieve over. And my heart has grieved so much, that today I’m leaving.”