“Next I prayed to Allah, whose ears are deaf; then did I beseech his fallen twin, the Devil Hornprick, who sits upon his thorn of fire, gloating upon his constellations and counting his bloody seeds. In Baclava it is said Hornprick once caught a glimpse of the First Woman, as she sat singing to her snake in her chamber of sacred mud. Dazzled by her sight, the light of love and lust, he fell. He is still falling. For all eternity her breasts orbit his dreams.”
In this passage from Rikki Ducornet's work, the speaker expresses a sense of disillusionment and desperation as they recount their prayers to Allah who they believe to be unresponsive. Instead, they turn to the Devil Hornprick, suggesting a shift towards embracing darkness and chaos. The mention of the First Woman and Hornprick's eternal infatuation with her highlights themes of temptation, desire, and the eternal struggle between good and evil. Overall, Ducornet's use of vivid imagery and mythological references creates a haunting and evocative tone that challenges traditional beliefs and explores the complexities of human nature.
In this excerpt from Rikki Ducornet's work, the mention of praying to Allah and the Devil Hornprick can be seen as a metaphor for the struggle between good and evil, order and chaos. This can be interpreted as a reflection of the internal conflicts and moral dilemmas that individuals face in the modern world. The idea of Hornprick being captivated by the First Woman's beauty and falling for eternity speaks to the timeless theme of desire and the consequences of giving in to temptation. This excerpt serves as a reminder of the complexities of human nature and the constant battle between light and darkness within us.
In this passage, author Rikki Ducornet uses vivid and poetic language to describe a unique and mystical belief system. The use of religious imagery and mythological references creates a sense of otherworldly folklore within the story.
This excerpt from Rikki Ducornet's writing conveys a sense of darkness and ambiguity, exploring themes of religion, mythology, and desire. As you reflect on these words, consider the following questions:
“I am a wheel. As I rise, Sweetheart, I carry you along with me, a heady, dizzying spin toward the sweet oceans of eternity. On wings of flames we sink into the sea of love. May be burn forever like bees in honey. Who does not wish for that delirium to last forever?”
“What are books but tangible dreams? What is reading if it is not dreaming? The best books cause us to dream; the rest are not worth reading.”
“The child is born speaking the languages of birds; the child has horns and scales and wings; it has a beak; it has a cloven hoof. He is the sum of all creatures: the ones that swim, the ones that soar, the ones that leap, the ones that maze the earth with burrows.”
“I, sole heir to the Munodi line and memory, am childless. A friend who knows such things has told me that this explains my compulsion to capture what I can with black ink on white paper." ("The Volatilized Ceiling of Baron Munodi")”
“All things pass, all things, that is, but mystery.”
“He caught her, she fell, he caught her in his arms, he held her tightly unconscious of what he was doing. He held her up, though tottering himself. He felt as if his head were filled with smoke; flashes of light slipped through his eyelids; his thoughts vanished; it seemed to him that he was performing a religious act, and that he was committing a profanation. Moreover, he did not feel one passionate desire for this ravishing woman, whose form he felt against his heart. He was lost in love.”