“On the other hand, he was compassionate because he knew pain, real pain, and real suffering too. Yet even in those bouts when it looked for sure as if he would die, he was never given morphine, not even as his screams of pain rattled the palace windows. That poor child had traveled to the bottom of life and back again, and naturally that had had a profound effect on him.”

“But then he remembered what George had told him about pain. You know what you can do, even if your body says quit. It's only pain."It's only pain, he thought, hearing George's voice and seeing his eagle-face. If anyone would know, George would, he thought. And truly, he thought, it's the most useful one thing a body can know.”

“The objective idea is all I ever cared about. Most of my ideas occur in verse... To be too subjective with what an artist has managed to make objective is to come on him presumptuously and render ungraceful what he in pain of his life had faith he had made graceful.”

“Jill... had explained homosexuality, after Mike had read about it and failed to grok--and had given him rules for avoiding passes; she knew that Mike, pretty as he was, would attract such. He had followed her advice and had made his face more masculine, instead of the androgynous beauty he had had. But Jill was not sure that Mike would refuse a pass, say, from Duke--fortunately Mike's male water brothers were decidedly masculine, just as his others were very female women. Jill suspected that Mike would grok a 'wrongness' in the poor in-betweeners anyhow--they would never be offered water.”

“He had been contemptuous of those who wrecked. You did not have to like it because you understood it. He could beat anything, he thought, because no thing could hurt him if he did not care.All right. Now he would not care for death. One thing he had always dreaded was the pain. He could stand pain as well as any man, until it went on too long, and wore him out, but here he had something that had hurt frightfully and just when he had felt it breaking him, the pain had stopped.”

“Jem’s knees gave out, and he sank to the trunk at the foot of his bed, still playing. He played Will breathing the name Cecily, and he played himself watching the glint of his own ring on Tessa’s hand on the train from York, knowing it was all a charade, knowing, too, that he wished that it wasn’t. He played the sorrow in Tessa’s eyes when she had come into the music room after Will had told her she would never have children. Unforgivable, that, what a thing to do, and yet Jem had forgiven him. Love was forgiveness, he had always believed that, and the things that Will did, he did out of some bottomless well of pain. Jem did not know the source of that pain, but he knew it existed and was real, knew it as he knew of the inevitability of his own death, knew it as he knew that he had fallen in love with Tessa Gray and that there was nothing he or anyone else could do about it.”

“She'd once thought God would never intentionally hurt her. But looking back over her life, she'd had cause to rethink that. She was certain nothing touched her life that didn't first filter through the loving hands of her heavenly father. But she was also convinced that God sometimes wounded, in order to bind up. And that He shattered, so that His hands could heal. This was part of His inheritance she'd overlooked before, but never would again.”