“His large earsHear everythingA hermit wakesAnd sleeps in a hutUnderneathHis gaunt cheeks.His eyes blue, alert,Disappointed,And suspicious,Complain IDo not bring himThe same sort ofJokes the nursesDo. He is a birdWaiting to be fed,—Mostly beak— an eagleOr a vulture, orThe Pharoah's servantJust before death.My arm on the bedrailRests there, relaxed,With new love. AllI know of the TroubadoursI bring to this bed.I do not wantOr need to be shamed By him any longer.The general of shameHas dischargedHim, and left himIn this small provincialEgyptian town.If I do not wishTo shame him, thenWhy not love him?His long hands,Large, veined,Capable, can stillRetain hold of whatHe wanted. ButIs that what heDesireed? SomePowerful engineOf desire goes onTurning inside his body.He never phrasedWhat he desired,And I amhis son.”

“The inner boy in a messed-up family may keep on being shamed, invaded, disappointed, and paralyzed for years and years. "I am a victim," he says, over and over; and he is. But that very identification with victimhood keeps the soul house open and available for still more invasions. Most American men today do not have enough awakened or living warriors inside to defend their soul houses. And most people, men or women, do not know what genuine outward or inward warriors would look like, or feel like.”

“In ordinary life, a mentor can guide a young man through various disciplines, helping to bring him out of boyhood into manhood; and that in turn is associated not with body building, but with building and emotional body capable of containing more than one sort of ecstasy.”

“What does it mean when a man falls in love with a radiant face across the room? It may mean that he has some soul work to do. His soul is the issue. Instead of pursuing the woman and trying to get her alone, away from her husband, he needs to go alone himself, perhaps to a mountain cabin, for three months, write poetry, canoe down a river, and dream. That would save some women a lot of trouble.”

“IT IS SO EASY TO GIVE INI have been thinking about the man who gives in.Have you heard about him? In this storyA twenty-eight-foot pine meets a small windAnd the pine bends all the way over to the ground.I was persuaded,” the pine says. “It was convincing.”A mouse visits a cat, and the cat agreesTo drown all her children. “What could I do?”The cat said. “The mouse needed that.”It’s strange. I’ve heard that some people conspireIn their own ruin. A fool says, “You don’tDeserve to live.” The man says, “I’ll string this ropeOver that branch, maybe you can find a box.”The Great One with her necklace of skulls says,I need twenty thousand corpses.” “Tell you what,”The General says, “we have an extra battalionOver there on the hill. We don’t need all these men.”

“Every noon as the clock hands arrive at twelve,I want to tie the two arms together,And walk out of the bank carrying time in bags.”

“Early Morning in Your RoomIt's morning. The brown scoops of coffee, the wasp-likeCoffee grinder, the neighbors still asleep.The gray light as you pour gleaming water--It seems you've traveled years to get here.Finally you deserve a house. If not deserveIt, have it; no one can get you out. MiseryHad its way, poverty, no money at least.Or maybe it was confusion. But that's over.Now you have a room. Those lighthearted books:The Anatomy of Melancholy, Kafka's Letter to his Father, are all here. You can danceWith only one leg, and see the snowflake fallingWith only one eye. Even the blind manCan see. That's what they say. If you hadA sad childhood, so what? When Robert BurtonSaid he was melancholy, he meant he was home.”