“The last week of shooting, we did a scene in which I drag Amanda Wyss, the sexy, blond actress who played Tina, across the ceiling of her bedroom, a sequence that ultimately became one of the most visceral from the entire Nightmare franchise. Tina’s bedroom was constructed as a revolving set, and before Tina and Freddy did their dance of death, Wes did a few POV shots of Nick Corri (aka Rod) staring at the ceiling in disbelief, then we flipped the room, and the floor became the ceiling and the ceiling became the floor and Amanda and I went to work.As was almost always the case when Freddy was chasing after a nubile young girl possessed by her nightmare, Amanda was clad only in her baby-doll nightie. Wes had a creative camera angle planned that he wanted to try, a POV shot from between Amanda’s legs. Amanda, however, wasn’t in the cameramen’s union and wouldn’t legally be allowed to operate the cemera for the shot. Fortunately, Amy Haitkin, our director of photography’s wife, was our film’s focus puller and a gifted camera operator in her own right. Being a good sport, she peeled off her jeans and volunteered to stand in for Amanda. The makeup crew dapped some fake blood onto her thighs, she lay down on the ground, Jacques handed her the camera, I grabbed her ankles, and Wes called, “Action.”After I dragged Amy across the floor/ceiling, I spontaneously blew her a kiss with my blood-covered claw; the fake blood on my blades was viscous, so that when I blew her my kiss of death, the blood webbed between my blades formed a bubble, a happy cinematic accident. The image of her pale, slender, blood-covered legs, Freddy looming over her, straddling the supine adolescent girl, knife fingers dripping, was surreal, erotic, and made for one of the most sexually charged shots of the movie. Unfortunately it got left on the cutting-room floor. If Wes had left it in, the MPAA - who always seemed to have it out for Mr. Craven - would definitely have tagged us with an X rating. You win some, you lose some.”

“For my number-one favorite kill, I almost went with Johnny Depp being eaten alive and then regurgitated by his own bed in A Nightmare on Elm Street, but the winner, by a finger blade’s width, has to be the death of that feisty Tina (Amanda Wyss), who put up such a fight while I thrashed her about on the ceiling of her bedroom. Freddy loves a worthy adversary, especially if it’s a nubile teenaged girl.A close second goes to my hearing-impaired victim Carlos (Ricky Dean Logan) in Nightmare 6. In these uber-politically-correct times, it’s refreshing to remember what an equal opportunity killer Freddy always was. Not only does he pump up the volume on the hearing aid from hell, but he also adds a nice Latino kid to his body count. Today they probably wouldn’t even let Freddy force-feed a fat kid junk food.Dream death number three is found in a sequence from Nightmare 3. Freddy plays puppet master with victim Phillip (Bradley Gregg), converting his arm and leg tendons into marionette strings, then cutting them in a Freddy meets Verigo moment.The kiss of death Profressor Freddy gives Sheila (Toy Newkirk) is great, but not as good as Al Pacino’s in The Godfather, so my fourth pick is Freddy turning Debbie (Brooke Theiss) into her worst nightmare, a cockroach, and crushing her in a Roach Motel. A classic Kafka/Krueger kill.For my final fave, you will have to check out Freddy vs. Jason playing at a Hell’s Octoplex near you. Here’s a hint: the hockey-puck guy and I double team a member of Destiny’s Child. Yummy! Now where’s that Beyonce…”

“Wes sat in a cracked vinyl booth picking at his fries and listening to Amanda go on and on about the dress she'd found. '...and it has these little lavender bows. Oh, Wes, I can't wait 'til you see it.' She gesticulated wildly, and her only saving grace right now was her amazing rack that swayed and bounced with each movement. Sometimes he swore that was the only reason he ever looked crosswise at Amanda Price. That, and her daddy's checkbook. 'And I found these shoes--" 'Uh huh, that's nice,' he cut her off and slid free from the booth. He held out his hand. 'Got the card?' He waved the bill in the air at her questioning gaze. Was she a little cross-eyed, maybe? He thought so.”

“So look," he began, leaning over the desk, "I was—""Excuse me?" Bethany said. Her voice was loud, even.Wes turned and looked at her. As he did so, I watched his profile, his arm, that little bit of the heart inhand peeking out from his sleeve."We can help you over here," Bethany said to him. "Did you have a question?""Um, sort of," Wes said, glancing at me, a mild smile on his face. "But—""I can answer it," Bethany said solidly, so confidently. Amanda, beside her, nodded, seconding this."Really, it's fine," he said, then looked at me again. He raised his eyebrows, and I just shrugged. "Okay,so—""She's only a trainee, she won't know the answer," Bethany told him, pushing her chair over closer towhere he was, her voice too loud, bossy even. "It's better if you ask me. Or ask us."Then, and only then, did I see the tiniest flicker of annoyance on Wes's face. "You know," Wes said, "Ithink she'll know it.""She won't. Ask me."Now it wasn't just a flicker. Wes looked at me, narrowing his eyes, and for a second I just stared back.Whatever happens, I thought, happens. For the first time, time at the info desk was flying."Okay," he said slowly, moving down the counter. He leaned on his elbows, closer to Bethany, and shesat up even straighter, readying herself, like someone onJeopardy awaiting the Daily Double. "So here'smy question."Amanda picked up a pen, as if there might be a written portion."Last night," Wes said, his voice serious, "when the supplies were being packed up, what happened tothe big tongs?"The sick part was that Bethany, for a second, looked as if she was actually flipping through her mentalRolodex for the answer. I watched her swallow, then purse her lips. "Well," she said. But that was all.I could feel myself smiling. A real smile.Wes looked at Amanda. "Do you know?"Amanda shook her head slowly."All right," he said, turning back to look at me. "Better ask the trainee, then. Macy?"I could feel Amanda and Bethany looking at me. "They're in the bottom of that cart with the brokenback wheel, under the aprons," I said. "There wasn't room for them with the other serving stuff.”

“As with the first Nightmare, we shot a couple of interesting scenes that didn’t make it into the final cut, most notably one featuring a female Freddy. One of the kids in the hospital has a Freddy dream in which he’s being seduced by a sexy nurse. The nightmare evolves into a kinky S&M fantasy, but becomes less M and more S when the ropes that bind the kid to the bed become Freddy tongues, and the nurse’s face morphs into Freddy’s, but her topless torso, which features a pair of perfect Playboy breasts, remains smooth and inviting… that is, for a moment. All of a sudden, the veins in her areolas come to life and turn into Freddy-like burn scars and snake up her cleavage, past her neck, and onto her face. (I’m pretty sure Kevin enjoyed the four hours it took to apply makeup to those tits.) This troubling, erotic transformation didn’t make the final cut for some reason. Occasionally I find myself signing bootleg stills from the missing sequence. Especially in Europe. Ooh la la!”

“I watched her and I watched the birds' shadows flit across her face, and I...wanted. I wanted more happy memories to hang up on the ceiling, so many happy memories with this girl that they would crowd the ceiling and flap out into the hall and burst out of the house.”