“As I walked out one harvest nightAbout the stroke of One,The Moon attained to her full heightStood beaming like the Sun.She exorcised the ghostly wheatTo mute assent in Love's defeatWhose tryst had now begun.The fields lay sick beneath my tread,A tedious owlet cried;The nightingale above my headWith this or that replied,Like man and wife who nightly keepInconsequent debate in sleepAs they dream side by side.Your phantom wore the moon's cold mask,My phantom wore the same,Forgetful of the feverish taskIn hope of which they came,Each image held the other's eyesAnd watched a grey distraction riseTo cloud the eager flame.To cloud the eager flame of love,To fog the shining gate:They held the tyrannous queen aboveSole mover of their fate,They glared as marble statues glareAcross the tessellated stairOr down the Halls of State.And now cold earth was Arctic sea,Each breath came dagger keen,Two bergs of glinting ice were we,The broad moon sailed between;There swam the mermaids, tailed and finned,And Love went by upon the windAs though it had not been.- Full Moon”

“It was a dark night, though the full moon rose as I left the enclosed lands, and passed out upon the marshes. Beyond their dark line there was a ribbon of clear sky, hardly broad enough to hold the red large moon. In a few minutes she had ascended out of that clear field, in among the piled mountains of cloud.”

“A raging, glowering full moon had come up, was peering down over the side of the sky well above the patio.That was the last thing she saw as she leaned for a moment, inert with fatigue, against the doorway of the room in which her child lay. Then she dragged herself in to topple headlong upon the bed and, already fast asleep, to circle her child with one protective arm, moving as if of its own instinct.Not the meek, the pallid, gentle moon of home. This was the savage moon that had shone down on Montezuma and Cuauhtemoc, and came back looking for them now. The primitive moon that had once looked down on terraced heathen cities and human sacrifices. The moon of Anahuac. ("The Moon Of Montezuma")”

“Welsh Incident 'But that was nothing to what things came outFrom the sea-caves of Criccieth yonder.'What were they? Mermaids? dragons? ghosts?'Nothing at all of any things like that.'What were they, then?' 'All sorts of queer things,Things never seen or heard or written about,Very strange, un-Welsh, utterly peculiarThings. Oh, solid enough they seemed to touch,Had anyone dared it. Marvellous creation,All various shapes and sizes, and no sizes,All new, each perfectly unlike his neighbour,Though all came moving slowly out together.'Describe just one of them.' 'I am unable.'What were their colours?' 'Mostly nameless colours,Colours you'd like to see; but one was puceOr perhaps more like crimson, but not purplish.Some had no colour.' 'Tell me, had they legs?'Not a leg or foot among them that I saw.'But did these things come out in any order?'What o'clock was it? What was the day of the week?Who else was present? How was the weather?'I was coming to that. It was half-past threeOn Easter Tuesday last. The sun was shining.The Harlech Silver Band played Marchog JesuOn thrity-seven shimmering instrumentsCollecting for Caernarvon's (Fever) Hospital Fund.The populations of Pwllheli, Criccieth,Portmadoc, Borth, Tremadoc, Penrhyndeudraeth,Were all assembled. Criccieth's mayor addressed themFirst in good Welsh and then in fluent English,Twisting his fingers in his chain of office,Welcoming the things. They came out on the sand,Not keeping time to the band, moving seawardSilently at a snail's pace. But at lastThe most odd, indescribable thing of allWhich hardly one man there could see for wonderDid something recognizably a something.'Well, what?' 'It made a noise.' 'A frightening noise?'No, no.' 'A musical noise? A noise of scuffling?'No, but a very loud, respectable noise ---Like groaning to oneself on Sunday morningIn Chapel, close before the second psalm.'What did the mayor do?' 'I was coming to that.”

“Poetry began in the matriarchal age, and derives its magic from the moon, not from the sun. No poet can hope to understand the nature of poetry unless he has had a vision of the Naked King crucified to the lopped oak, and watched the dancers, red-eyed from the acrid smoke of the sacrificial fires, stamping out the measure of the dance, their bodies bent uncouthly forward, with a monotonous chant of "Kill! kill! kill!" and "Blood! blood! blood!”

“We love the night and its quiet; and there is no night that we love so well as that on which the moon is coffined in clouds.”

“The White GoddessAll saints revile her, and all sober menRuled by the God Apollo's golden mean -In scorn of which we sailed to find herIn distant regions likeliest to hold herWhom we desired above all things to know,Sister of the mirage and echo.It was a virtue not to stay,To go our headstrong and heroic waySeeking her out at the volcano's head,Among pack ice, or where the track had fadedBeyond the cavern of the seven sleepers:Whose broad high brow was white as any leper's,Whose eyes were blue, with rowan-berry lips,With hair curled honey-coloured to white hips.The sap of Spring in the young wood a-stirWill celebrate with green the Mother,And every song-bird shout awhile for her;But we are gifted, even in NovemberRawest of seasons, with so huge a senseOf her nakedly worn magnificenceWe forget cruelty and past betrayal,Heedless of where the next bright bolt may fall.”