“Love is universal migraine,A bright stain on the visionBlotting out reason.Symptoms of true loveAre leanness, jealousy,Laggard dawns;Are omens and nightmares -Listening for a knock,Waiting for a sign:For a touch of her fingersIn a darkened room,For a searching look.Take courage, lover!Could you endure such painAt any hand but hers?”
In this quote by Robert Graves, love is likened to a universal migraine, a powerful and all-consuming force that distorts perception and overwhelms reason. Graves describes the symptoms of true love as including leanness, jealousy, and a sense of waiting and anticipation. The imagery used in the quote conveys the intensity and often painful nature of love, as well as the profound impact it can have on a person's emotions and actions. Ultimately, Graves highlights the idea that true love is worth enduring the pain and challenges that come with it.
In today's fast-paced and technology-driven world, the concept of love as a universal migraine still holds true. With the rise of social media and dating apps, individuals often find themselves experiencing symptoms of true love such as jealousy and laggard dawns. Despite the advancements in communication, the longing for a touch or a look from a loved one remains a universal experience that transcends time. Graves' words serve as a reminder of the enduring nature of love and the courage it takes to navigate its complexities.
In this passage, Robert Graves beautifully captures the all-encompassing nature of love and its ability to consume our thoughts and emotions. The use of vivid imagery and poetic language conveys the intense feelings and inner struggles that come with being in love. Graves paints a picture of love as both a blessing and a curse, highlighting the highs and lows that come with such a powerful emotion.
Reflecting on Robert Graves' poetic description of love, consider the following questions:
“She tells her love while half asleep, In the dark hours, With half-words whispered low: As Earth stirs in her winter sleep And puts out grass and flowers Despite the snow, Despite the falling snow.”
“When the immense drugged universe explodesIn a cascade of unendurable colourAnd leaves us gasping naked,This is no more than the ectasy of chaos:Hold fast, with both hands, to that royal loveWhich alone, as we know certainly, restoresFragmentation into true being.Ecstasy of Chaos”
“The White GoddessAll saints revile her, and all sober menRuled by the God Apollo's golden mean -In scorn of which we sailed to find herIn distant regions likeliest to hold herWhom we desired above all things to know,Sister of the mirage and echo.It was a virtue not to stay,To go our headstrong and heroic waySeeking her out at the volcano's head,Among pack ice, or where the track had fadedBeyond the cavern of the seven sleepers:Whose broad high brow was white as any leper's,Whose eyes were blue, with rowan-berry lips,With hair curled honey-coloured to white hips.The sap of Spring in the young wood a-stirWill celebrate with green the Mother,And every song-bird shout awhile for her;But we are gifted, even in NovemberRawest of seasons, with so huge a senseOf her nakedly worn magnificenceWe forget cruelty and past betrayal,Heedless of where the next bright bolt may fall.”
“But we are gifted, even in NovemberRawest of seasons, with so huge a senseOf her nakedly worn magnificenceWe forget cruelty and past betrayal,Careless of where the next bright bolt may fall.”
“To Juan at the Winter Solstice There is one story and one story onlyThat will prove worth your telling,Whether as learned bard or gifted child;To it all lines or lesser gauds belongThat startle with their shiningSuch common stories as they stray into.Is it of trees you tell, their months and virtues,Or strange beasts that beset you,Of birds that croak at you the Triple will?Or of the Zodiac and how slow it turnsBelow the Boreal Crown,Prison to all true kings that ever reigned?Water to water, ark again to ark,From woman back to woman:So each new victim treads unfalteringlyThe never altered circuit of his fate,Bringing twelve peers as witnessBoth to his starry rise and starry fall.Or is it of the Virgin's silver beauty,All fish below the thighs?She in her left hand bears a leafy quince;When, with her right hand she crooks a finger, smiling,How many the King hold back?Royally then he barters life for love.Or of the undying snake from chaos hatched,Whose coils contain the ocean,Into whose chops with naked sword he springs,Then in black water, tangled by the reeds,Battles three days and nights,To be spewed up beside her scalloped shore?Much snow if falling, winds roar hollowly,The owl hoots from the elder,Fear in your heart cries to the loving-cup:Sorrow to sorrow as the sparks fly upward.The log groans and confesses:There is one story and one story only.Dwell on her graciousness, dwell on her smiling,Do not forget what flowersThe great boar trampled down in ivy time.Her brow was creamy as the crested wave,Her sea-blue eyes were wildBut nothing promised that is not performed.”
“Love without hope, as when the young bird-catcherSwept off his tall hat to the Squire's own daughter,So let the imprisoned larks escape and flySinging about her head, as she rode by.”