“A book unwritten is a delightful universe of infinite possibilities. Set down one word, however, and it immediately becomes earthbound. Set down one sentence and it’s halfway to being just like every other bloody book that’s ever been written.”

“In an infinite universe, all things are possible -- within physical limits, that is -- and any book that can be written does physically exist. Somewhere. The book is the bridge between the words and the physical actuality.”

“After those four years, he returned to the Midwest. He'd turned twenty-five, the Age of Unfolding, and it was time to write a novel, the way his hero had. He moved to a cheap apartment in Chicago and set to work, but even as the pages accumulated, despair set in. It was easy enough to write a sentence, but if you were going to create a work of art, the way Melville had, each sentence needed to fit perfectly with the one that preceded it, and the unwritten one that would follow. And each of those sentences needed to square with the ones on either side, so that three became five and five became seven, seven became nine, and whichever sentence he was writing became the slender fulcrum on which the whole precarious edifice depended. That sentence could contain anything, anything, and so it promised the kind of absolute freedom that, to Affenlight's mind, belonged to the artist and the artist alone. And yet that sentence was also beholden to the book's very first one, and its last unwritten one, and ever sentence in between. Every phrase, every word, exhausted him.”

“Jesus did many other things as well. If every one of them were written down, I suppose that even the whole world would not have room for the books that would be written.”

“If you like books with happy endings then put this book down immediately.”

“I don't write a book so that it will be the final word; I write a book so that other books are possible, not necessarily written by me.”