“It is not so much for its beauty that the forest makes a claim upon men's hearts, as for that subtle something, that quality of air that emanation from old trees, that so wonderfully changes and renews a weary spirit.”

Robert Louis Stevenson

Robert Louis Stevenson - “It is not so much for its...” 1

Similar quotes

“How can so much beauty hide such a bruised and steely heart, and why must I love him, why must I lean in my weariness upon his irresistible yet indomitable strength? Is he not the wizend funeral spirit of a dead man in a child's clothes?”

Anne Rice
Read more

“Lik the tree falling in the forest," says Ira."Huh?""You know, the old question - if a tree falls in a forest and no one's there to hear it, does it really make a sound?" Howie considers this. "Is it a pine forest, or oak?""What's the difference?""Oak is a much denser wood; it's more likely to be heard by someone on the freeway next to the forest where no one is.”

Neal Shusterman
Read more

“And so much depends, I told Augustus, upon a blue sky cut open by the branches of the trees above. So much depends upon the transparent G-tube erupting from the gut of the blue-lipped boy. So much depends upon the observer of the universe.”

John Green
Read more

“spirit and his solitude, and for ten years did not weary of it. But finally he had a change of heart”

Friedrich Nietzsche
Read more

“There are all kinds of silences and each of them means a different thing. There is the silence that comes with morning in a forest, and this is different from the silence of a sleeping city. There is silence after a rainstorm, and before a rainstorm, and these are not the same. There is the silence of emptiness, the silence of fear, the silence of doubt. There is a certain silence that can emanate from a lifeless object as from a chair lately used, or from a piano with old dust upon its keys, or from anything that has answered to the need of a man, for pleasure or for work. This kind of silence can speak. Its voice may be melancholy, but it is not always so; for the chair may have been left by a laughing child or the last notes of the piano may have been raucous and gay. Whatever the mood or the circumstance, the essence of its quality may linger in the silence that follows. It is a soundless echo.”

Beryl Markham
Read more