“Whatever can be threatened, whatever can be shaken, whatever you fear cannot stand, is destined to crash. Do not go down with the ship. Let that which is destined to become the past slip away. Believe that the real you is that which beckons from the future. If it is a sadder you, it will be a wiser one. And dawn will follow the darkness sooner or later. Rebirth can never come without death.”

“One hardly need believe that the events in your life are actually planned as bolts from the blue, sent special delivery from a deity who is testing and training you like a lab rat! And that is what we are saying when we fretfully ask, "What can God be trying to teach me through this tragedy?”

“Real morality is not the product of fearing a spanking. But what does fundamentalist hell-belief encourage? It retards any developing moral judgment by freezing moral maturity right at the most primitive, most childish, stage: the fear of retribution-and fundamentalism threatens one hell of a spanking.”

“Who really can face the future? All you can do is project from the past, even when the past shows that such projections are often wrong. And who really can forget the past? What else is there to know?”

“For the believer in divine creation, the open question of the Mystery of Being is like an open wound. It stings and gapes, and the believer cannot rest till it be healed up, closed up, smeared with the soothing balm of an answer, even if his doctrine be a sophisticated one like Aquinas's or that of the latest Liberal Protestant theologian.”

“The principle of analogy is so simple, so natural, that everyone uses it in daily life. Imagine someone sitting down in front of the television after a long day at work. The first image he sees is that of a giant reptile squashing tall buildings. Is one's first hunch, "Oh! The news channel!"? Probably not. More likely one surmises the TV set had been left on the science fiction channel. Why? Because one's world of contemporary experience does not include newscasts of giant dinosaurs wreaking havoc in modern cities, but one has seen monster movies in which such disasters are quite typical. Which analogy does the TV screen image fit?”

“An inspired and infallible passage whose meaning you cannot be sure of is not much more useful than an uninspired, fallible passage.”