“[...] a number of flawed individuals can often add up to a brilliant social unit.”

“He was in that familiar state - not that the occasion mattered to seriously to him -- of incoherent ideas spreading outward without a center, so characteristic of the present, and whose strange arithmetic adds up to a random proliferation of numbers without forming a unit.”

“His appearance gives no clue to what his profession might be, and yet he doesn't look like a man without a profession either. Consider what he's like: He always knows what to do. He knows how to gaze into a woman's eyes. He can put his mind to any question at any time. He can box. He is gifted, strong-willed, open-minded, fearless, tenacious, dashing, circumspect—why quibble, suppose we grant him all those qualities—yet he has none of them! They have made him what he is, they have set his course for him, and yet they don't belong to him. When he is angry, something in him laughs. When he is sad, he is up to something. When something moves him, he turns against it. He'll always see a good side to every bad action. What he thinks of anything will always depend on some possible context—nothing is, to him, what it is: everything is subject to change, in flux, part of a whole, of an infinite number of wholes presumably adding up to a super-whole that, however, he knows nothing about. So every answer he gives is only a partial answer, every feeling an opinion, and he never cares what something is, only 'how' it is—some extraneous seasoning that somehow goes along with it, that's what interests him.”

“For the inhabitant of a country has at least nine characters: a professional, a national, a civic, a class, a geographic, a sexual, a conscious, an unconscious, and possibly even a private character to boot. He unites them in himself, but they dissolve him, so that he is really nothing more than a small basin hollowed out by these many streamlets that trickle into it and drain out of it again, to join other such rills in filling some other basin. Which is why every inhabitant of the earth also has a tenth character that is nothing else than the passive fantasy of spaces yet unfilled [....] prevent[ing] precisely what should be his true fulfillment.”

“His answers were quite often like that. When she spoke of beauty, he spoke of the fatty tissue supporting the epidermis. When she mentioned love, he responded with the statistical curve that indicates the automatic rise and fall in the annual birthrate. When she spoke of the great figures in art, he traced the chain of borrowings that links these figures to one another.”

“Whether you look at no men at all, or look at every single one - itcomes to the same thing. You can throw yourself at their hearts,because you've gone mad from being always a stranger; from not beingable to understand how you can even bear to hold their hands in yourown any longer than you have to.”

“The world seems almost physically wider when up to just now theright-hand side was always obscured by the proximity of someone else;and all of a sudden you stand there, astonished, in a widesemi-circle: alone.”