“His answers were quite often like that. When she spoke of beauty, he spoke of the fatty tissue supporting the epidermis. When she mentioned love, he responded with the statistical curve that indicates the automatic rise and fall in the annual birthrate. When she spoke of the great figures in art, he traced the chain of borrowings that links these figures to one another.”

“She said 'no' to the words he spoke, and 'yes' to the voice that spoke them.”

“Keating stood still, because he understood for the first time what it was that artists spoke about when they spoke of beauty.”

“He said, and his voice was strained as if he had had a mortal wound, 'Gwenhwyfar-' He so seldom spoke her formal name, it was always my lady or my queen, or when he spoke to her in play it was always Gwen. When he spoke it now, it seemed to her she had never heard a sweeter sound. 'Gwenhwyfar. Why do you weep?'Now she must lie, and lie well, because, she could not in honor tell him the truth. She said, 'Because-' and stopped, and then, in a choking voice, she said, 'because I do not know how I shall live if you go away.”

“Her laugh. The way she smoked before she gave up. Smoke trickling up her nostrils. Spokes of smoke when she spoke.”

“He spoke to her, though, if only through his verse. One night in the banqueting hall, just before a ball, he responded to requests for a verse by raising his glass high. Though he spoke to them all his eyes were on her."Tis not that I am weary grownOf being yours, and yours alone,But with what face can I inclineTo damn you to be only mine?"She walked out before she heard the rest.”