“Which is nonsense, for whatever you live is Life. That is something to remember when you meet the old classmate who says, "Well now, on our last expedition up the Congo-" or the one who says, "Gee, I got the sweetest little wife and three of the swellest kids ever-" You must remember it when you sit in hotel lobbies or lean over bars to talk to the bartender or walk down a dark street at night, in early March, and stare into a lighted window. And remember little Susie has adenoids and the bread is probably burned, and turn up the street, for the time has come to hand me down that walking cane, for I got to catch that midnight train, for all my sin is taken away. For whatever you live is life”
“you live through . . . that little piece of time that is yours, but that piece of time is not only your own life, it is the summing-up of all the other lives that are simultaneous with yours. It is, in other words, History, and what you are is an expression of History.”
“Dying--shucks! If you kin handle the living, what's to be afraid of the dying?”
“(...) the train goes fast and is going fast when it crosses a little trestle. You catch the sober, metallic, pure, late-light, unriffled glint of the water between the little banks, under the sky, and see the cow standing in the water upstream near the single leaning willow. And all at once you feel like crying. But the train is going fast, and almost immediately whatever you feel is taken away from you, too.”
“Nobody had ever tried to stop me in June as long as I could remember, and when you are nine years old, what you remember seems forever; for you remember everything and everything is important and stands bigs and full and fills up Time and is so solid that you can walk around and around it like a tree and look at it. You are aware that times passes, that there is a movement in time, but that is not what Time is. Time is not a movement, a flowing, a wind then, but is, rather, a kind of climate in which things are, and when a thing happens it begins to live and keeps on living and stands solid in Time like the tree that you can walk around."--from "Blackberry Winter”
“Historical sense and poetic sense should not, in the end, be contradictory, for if poetry is the little myth we make, history is the big myth we live, and in our living, constantly remake.”