“I'd be (...) lying there on my back with my clothes on and looking up at the ceiling and watching the cigarette smoke flow up slow and splash against the ceiling like the upside-down slow-motion moving picture of the ghost of a waterfall or like the pale uncertain spirit rising up out of your mouth on the last exhalation, the way the Egyptians figured it, to leave the horizontal tenement of clay in its ill-fitting pants and vest.”

Robert Penn Warren

Robert Penn Warren - “I'd be (...) lying there on my...” 1

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“The flickering shadows dissolve the outlines of things and break up the surfaces of the cube, the walls and ceiling move to and fro to the rhythm of the jagged flame, which by turns flares up and dies down as though about to go out. The yellow clay at the bottom of the cube rises like the floorboards of a sinking boat, then falls back into the darkness, as though flooded with muddy water. The whole room trembles, expands, contracts, moves a few centimeters to the right or left, up or down, all the while keeping its cubical shape. Horizontals and verticals intersect at several points, all in vague confusion, but governed by some higher law, maintaining an equilibrium that prevents the walls from collapsing and the ceiling from tilting or falling. This equilibrium is due no doubt to the regular movement of the crossbeams, for they, too, seem to glide from right to left, up and down, along with their shadows, without friction or effort, as lightly as over water. The waves of the night dash against the sides of the roomboat. Gusts of wind blow soft flakes and sharp icy crystals by turns against the windowpane. The square, embrasure-like window is stuffed with a disemboweled pillow; bits of cloth stick out and dangle like amorphous plants or creepers. It is hard to say whether they are trembling under the impact of the wind blowing through the cracks, or whether it is only their shadow that sways to the rhythm of the jagged flame. ”

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“Why am I here? I was falling off a cliff just a minute ago, and then I landed on your floor.”Estelle looked down to the floor, up at the ceiling, and then to Riley. Estelle said, “There is no cliff above my ceiling.”

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“I'd watch your mouth", he said, tilting his head as he looked at my ID."The last lunker who laughed at her picture spent the night in the emergency room with a drink umbrella jammed up his nose".”

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“My world speeds up. After years of moving along in slow motion, I am suddenly surging through the moments. He touches me, and like flame to dry grass, I am consumed.”

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“You never really know what's going on with your ceiling until you just give up and lie down on your floor.”

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