“If I know this, I ought to be able to escape the stupider kinds of illusion. The absolute nature of things is independent of my senses (which are all I have to perceive with), and what I perceive is an image of my own psyche.”

“So -- I confess I have been a rake at reading. I have read those things which I ought not to have read, and I have not read those things which I ought to have read, and there is no health in me -- if by health you mean an inclusive and coherent knowledge of any body of great literature. I can only protest, like all rakes in their shameful senescence, that I have had a good time.”

“I was afraid and did not know what I feared, which is the worst kind of fear.”

“"You see, I do a little in this way myself," he explained; "here is my most prized piece." He took from his pocket a snuffbox, which looked to be of eighteenth-century workmanship. Inside the lid was an enamel picture of Leda and the Swan, and when a knob was pushed to and fro the swan thrust itself between Leda's legs, which jerked in mechanical ecstasy. A nasty toy, I thought, but Urky doted on it. "We single gentlemen like to have these things," he said. "What do you do, Darcourt? Of course we know that Hollier has his beautiful Maria."To my astonishment Hollier blushed, but said nothing. His beautiful Maria? My Miss Theotoky, of New Testament Greek? I didn't like it at all.”

“I had schooled myself since the war-days never to speak of my enthusiasms; when other people did not share them, which was usual, I was hurt and my pleasure diminished; why was I always excited about things other people did not care about? But I could not hold in.”

“I thought I was in love with Leola, by which I meant that if I could have found her in a quiet corner, and if I had been certain that no one would ever find out, and if I could have summoned up the courage at the right moment, I would have kissed her. But, looking back on it now, I know that I was in love with Mrs Dempster. Not as some boys are in love with grown-up women, adoring them from afar and enjoying a fantasy life in which the older woman figures in an idealized form, but in a painful and immediate fashion; I saw her every day, I did menial tasks in her house, and I was charged to watch her and keep her from doing foolish things. Furthermore, I felt myself tied to her by the certainty that I was responsible for her straying wits, the disorder of her marriage, and the frail body of the child who was her great delight in life. I had made her what she was, and in such circumstances I must hate her or love her. In a mode that was far too demanding for my age or experience, I loved her.”

“Can I be a modern girl, if I acknowledge such thoughts? I must be modern; I live now. But like everybody else, as Hollier says, I live in a muddle of eras, and some of my ideas belong to today, and some to an ancient past, and some to periods of time that seem more relevant to my parents than to me. If I could sort them and control them I might know better where I stand, but when I most want to be contemporary the Past keeps pushing in, and when I long for the Past (like when I wish Tadeusz had not died, and were with me now to guide and explain and help me to find where I belong in life) the Present cannot be pushed away. When I hear girls I know longing to be what they call liberated, and when I hear others rejoicing in what they think of as liberation, I feel a fool, because I simply do not know where I stand.”