“There are stories about "good" vampires like there are stories about the loathly lady who, after a hearty meal of raw horse and hunting hound and maybe the odd huntsman or archer, followed by an exciting night in the arms of her chosen knight turns into the kindest and most beautiful lady the world has ever seen... [...]And the way I see it, the horse and the hound and the huntsman are still dead, and you have to wonder about the psychology of the chosen knight who goes along with all the carnage and the fun and frolic in bed on some dubious ground of "honor.”

“Vampires do breathe, by the way, but their chests don't move like humans'. Have you ever lain in the arms of your sweetheart and tried to match your breathing to his, or hers? You do it automatically. Your brain only gets involved if your body is having trouble. Fortunately there was nothing about this situation that was like being in the arms of a sweetheart except that I was leaning against someone's naked chest. I could no more have breathed with him than I could have ignited gasoline and shot exhaust out my butt because I was sitting in the passenger seat of a car.”

“My books happen. They tend to blast in from nowhere, seize me by the throat, and howl 'Write me! Write me now!' But they rarely stand still long enough for me to see what and who they are, before they hurtle away again. And so I spend a lot of time running after them, like a thrown rider after an escaped horse, saying 'Wait for me! Wait for me!' and waving my notebook in the air.”

“I'm also old... and my own gift for writing fantasy grows out of very literal-minded, pragmatic soil: the things I do when I'm not telling stories have always been pretty three-dimensional. I used to say that the only strong attraction reality ever had for me was horses and horseback riding, but I've also been cooking and going for long walks since I was a kid (yes, the two are related), and I'm getting even more three dimensionally biased as I get older — gardening, bell ringing... piano playing... And the stories I seem to need to write seem to need that kind of nourishment from me — how you feed your story telling varies from writer to writer. My story-telling faculty needs real-world fresh air and experiences that create calluses (and sometimes bruises).”

“Don't let the title mislead you," Arlbeth told her. "The king is simply the visible one. I'm so visible, in fact, that most of the important work has to be done by other people.""Nonsense," said Tor.Arlbeth chuckled. "Your loyalty does you honor, but you're in the process of becoming too visible to be effective yourself, so what do you know about it?”

“--including Rilly, who was beside herself with excitement, and her mother, who was beside herself with Rilly--”

“One day" she told them, "when you have retired, you will go to live with a family who will love you for your beauty and nothing more, and if you're very lucky there will be children, and the children will pet you and pet you and pet you. Ossin has a list, I think, of such children; he sends his hunting-staff out during the months they are not needed for that work, to look for them, and add names to the list." The fleethounds stared back at her with their enormous dark liquid eyes, and believed every word.”