“Vampires do breathe, by the way, but their chests don't move like humans'. Have you ever lain in the arms of your sweetheart and tried to match your breathing to his, or hers? You do it automatically. Your brain only gets involved if your body is having trouble. Fortunately there was nothing about this situation that was like being in the arms of a sweetheart except that I was leaning against someone's naked chest. I could no more have breathed with him than I could have ignited gasoline and shot exhaust out my butt because I was sitting in the passenger seat of a car.”
In this quote, Robin McKinley uses a humorous analogy to describe the differences between vampires and humans. By comparing the act of matching breathing with a sweetheart to breathing with a vampire, McKinley highlights the unnatural and impossible nature of the latter. The use of humor in this comparison adds a light-hearted tone to the otherwise eerie and supernatural concept of vampires. This quote showcases McKinley's ability to infuse her writing with wit and cleverness, making her work both entertaining and thought-provoking.
In this quote from Robin McKinley, the unique nature of vampires' breathing is highlighted in a humorous and relatable way. The comparison between the automatic synchronization of breathing with a loved one and the impossibility of doing so with a vampire adds a fun twist to the popular vampire lore. This quote also touches on the idea of trying to fit in or adapt to a situation that is inherently different from what we are used to. In today's world, where we are constantly faced with new challenges and changes, this quote serves as a reminder to embrace the uniqueness of each situation and find humor in the absurdity of trying to fit in where we clearly do not belong.
In this quote, Robin McKinley uses vivid imagery to explain the differences between vampires and humans in regards to breathing. The comparison between breathing with a sweetheart and trying to breathe with a vampire adds a humorous element to the description.
In this passage, the narrator discusses the unique breathing patterns of vampires compared to humans. Reflect on the following questions:
“He was now suddenly hot, as hot as if he’d been in a kitchen baking cinnamon rolls in August. I already knew vampires could sweat, under certain conditions, like being chained to a wall of a house with sunlight coming in through the windows. He was sweating again now. Some of his sweat fell on me.I’ve always rather liked sweat. On other occasions when I’ve had a naked, sweating male body up against mine, I’ve tended to feel that it meant he was getting into what was going on. This usually produces a similar enthusiasm in me. Not that there was anything going on…exactly.Yet. Remember how fast and suddenly this was all happening. And if hewas in shock so was I. Maybe my brain hadn’t fully come with me in thatzap through the void, like my clothes manifestly hadn’t. With a truly masterful erection now pressed against me I turned my head again and licked his sweating shoulder.What happened next probably lasted about ten seconds. Maybe less.I don’t think I heard the sound he made; I think I only felt it. He movedhis hands again, to tip my face toward him, and kissed me. I can’t say Inoticed any fangs. I had the lingering vestige of sense not to try anythingclever with my teeth, which with a human lover I would have. But I wasnonetheless busy with tongue and hands. I wriggled a little under him. I kissed him back as he tangled his fingers in my hair. I arched up off the floor a trifle to press myself more thoroughly against him. I was undoubtedly making some noises of my own…”
“Tell me who you are. You need not tell me your name. Names have power, even human ones. Tell me where you live and what you do with your living.”
“I didn’t want to know that the monster that lived under your bed when you were a kid not only really is there but used to have a few beers with your dad.”
“There are stories about "good" vampires like there are stories about the loathly lady who, after a hearty meal of raw horse and hunting hound and maybe the odd huntsman or archer, followed by an exciting night in the arms of her chosen knight turns into the kindest and most beautiful lady the world has ever seen... [...]And the way I see it, the horse and the hound and the huntsman are still dead, and you have to wonder about the psychology of the chosen knight who goes along with all the carnage and the fun and frolic in bed on some dubious ground of "honor.”
“When you write your first novel you don't really know what you're doing. There may be writers out there who are brilliant, incisive and in control from their first 'Once upon a time'. I'm not one of them. Every once upon a time for me is another experience of white-water rafting in a leaky inner tube. And I have this theory that while the Story Council has its faults, it does have some idea that if books are going to get written, authors have to be able to write them.”
“My kind [vampires] does not surprise easily," he said. "You surprised me, this morning. I have thus used up my full quota of shock and consternation for some interval."I stared at him. "You made a *joke*.""I have heard this kind of thing may happen...”