“The old woman sits on a bench before the door and quarrelsWith her meagre pale demoralized daughter.Once when I passed I found her alone, laughing in the sunAnd saying that when she was first marriedShe lived in the old farmhouse up Garapatas Canyon.(It is empty now, the roof has fallenBut the log walls hang on the stone foundation; the redwoodsHave all been cut down, the oaks are standing;The place is now more solitary than ever before.)"When I was nursing my second babyMy husband found a day-old fawn hid in a fern-brakeAnd brought it; I put its mouth to the breastRather than let it starve, I had milk enough for three babies.Hey how it sucked, the little nuzzler,Digging its little hoofs like quills into my stomach.I had more joy from that than from the others."Her face is deformed with age, furrowed like a bad roadWith market-wagons, mean cares and decay.She is thrown up to the surface of things, a cell of dry skinSoon to be shed from the earth's old eye-brows,I see that once in her spring she lived in the streaming arteries,The stir of the world, the music of the mountain.”

“I'm my mother's first child, born when she was almost fourteen years old."Think of it," I said to Laura when I turned twelve. "I'm almost Mother Sarah's age when she was married."Laura looked at me, her squinty eyes even more narrowed. "You could have your own old man as a husband," she said."Shut up," I had said.And she had laughed.”

“I believed, from the solitary and thoughtful way in which my mother murmured her song, that she was alone. And I went softly into the room. She was sitting by the fire, suckling an infant, whose tiny hand she held against her neck. Her eyes were looking down upon its face, and she sat singing to it. I was so far right, that she had no other companion. I spoke to her, and she started, and cried out. But seeing me, she called me her dear Davy, her own boy! and coming half across the room to meet me, kneeled down upon the ground and kissed me, and laid my head down on her bosom near the little creature that was nestling there, and put its hand up to my lips. I wish I had died. I wish I had died then, with that feeling in my Heart! I should have been more fit for Heaven than I ever have been since.”

“Stuffing the low-necked gown away under the bed, her old nurse had muttered some saying about displaying wares you did not mean to sell, and when Morgase claimed she had just made it up, her reply was At my age, if I make it up, it’s still an old saying.”

“I continue to stare, my eyes missing nothing, remembering the moments we just shared together. But in all that time she does not look back, and I am haunted by the visions of her struggling with unseen enemies. I sit by the bedside with an aching back and start to cry as I pick up the notebook. Allie does not notice. I understand, for her mind is gone. A couple pages fall to the floor, and I bend over to pick them up. I am tired now, so I sit, alone and apart from my wife. And when the nurses come in they see two people they must comfort. A woman shaking in fear from demons in her mind, and the old man who loves her more deeply than life itself, crying softly in the corner, his face in his hands.”

“I see the future. It is there, poised over the street, hardly more dim than the present. What advantage will accrue from its realisation? The old woman stumps further and further away, she stops, pulls at a grey lock of hair which escapes from her handkerchief. She walks, she was there, now she is here... I don't know where I am any more: do i see her motions, or do I foresee them? I can no longer distinguish present from future and yet it lasts, it happens little by little; the old woman advances in the deserted street, shuffling her heavy, mannish brogues. This is time, time laid bare, coming slowly into existence, keeping us waiting, and when it does come making us sick because we realise it's been there for a long time. The old woman reaches the corner of the street, no more than a bundle of black clothes. All right then, it's new, she wasn't there a little while ago. But it's a tarnished deflowered newness, which can never surprise. She is going to turn the corner, she turns - during an eternity.”