“She had been taught in her girlhood to fondle and cherish those long-necked, sinuous creatures, the phrases of Chopin, so free, so flexible, so tactile, which begin by seeking their ultimate resting-place somewhere beyond and far wide of the direction in which they started, the point which one might have expected them to reach, phrases which divert themselves in those fantastic bypaths only to return more deliberately—with a more premediated reaction, with more precision, as on a crystal bowl which, if you strike it, will ring and throb until you cry aloud in anguish—to clutch at one’s heart.”