“Charlus takes the narrator's chin and slides his magnetized fingers up to the ears "like a barber's fingers." This trivial gesture, which I begin, is continued by another part of myself; without anything interrupting it physically, it branches off, shifts from a simple function to a dazzling meaning, that of the demand for love. Meaning (destiny) electrifies my hand: I am about to tear open the other's opaque body, oblige the other (whether there is a response, a withdrawal, or mere acceptance) to enter into the interplay of meaning: I am about to make the other speak. In the lover's realm, there is no acting out: no propulsion, perhaps even no pleasure -- nothing but signs, a frenzied activity of language: to institute, on each furtive occasion, the system (the paradigm) of demand and response.”

“There is a moment when the body is about to cease its natural functions, when it is important to accept that death is happening and to begin to let go, emotionally, physically and spiritually. I have learned the signs when something is preventing this from happening. Perhaps the family or friends cannot accept that the loved one is dying. Perhaps there are some things the dying person has not reconciled - inside herself or with other people. Often there is fear of the physical act of dying.”

“Living apart and at peace with myself,I came to realize more vividly the meaning of the doctrine of acceptance. To refrain from giving advice, to refrain from meddling in the affairs of others, to refrain even though the motives be the highest, from tampering with anothers way of life-so simple, yet so difficult for an active spirit. Hands Off.”

“There is a question I have learned to ask myself when I am feeling bothered about others: am I holding myself to the same standard I am demanding of them?”

“I want hard stories, I demand them from myself. Hard stories are worth the difficulty. It seems to me the only way I have forgiven anything, understood anything, is through that process of opening up to my own terror and pain and reexamining it, re-creating it in the story, and making it something different, making it meaningful - even if the meaning is only in the act of the telling.”

“The answer is three, I said as I held up three fingers—my middle through my pinky—and I formed a loop with my index finger and my thumb, which also shapes the universal sign for “asshole.” A verbal response, backed up by its unspoken reflection, with a hidden hand gesture buried in the sub context.”