“Love at first sight is a hypnosis: I am fascinated by an image: at first shaken, electrified, stunned, "paralysed" as Menon was by Socrates, the model of loved objects, of captivating images, or again converted by an apparition, nothing distinguishing the path of enamoration from the Road to Damascus; subsequently ensnared, held fast, immobilised, nose stuck to the image (the mirror). In that moment when the other's image comes to ravish me for the first time, I am nothing more than the Jesuit Athanasius Kirchner's wonderful Hen: feet tied, the hen went to sleep with her eyes fixed on the chalk line, which was traced not far from her beak; when she was untied, she remained motionless, fascinated, "submitting to her vanquisher," as the Jesuit says (1646); yet, to waken her from her enchantment, to break off the violence of her Image-repertoire (vehemens animalis imaginatio), it was enough to tap her on the wing; she shook herself and began pecking in the dust again.”

“She was a Phantom of delightWhen first she gleam'd upon my sight;A lovely Apparition, sentTo be a moment's ornament:Her eyes as stars of twilight fair;Like twilight's, too, her dusky hair;But all things else about her drawnFrom May-time and the cheerful dawn;A dancing shape, an image gay,To haunt, to startle, and waylay.”

“The publicity image steals her love of herself as she is, and offers it back to her for the price of the product.”

“All that kept her from breaking was that it was not an image of strength that was leaving her; she would be just as strong without him.”

“In the ladies' room, Alice studied her image in the mirror. The reflected older woman's face didn't quite match the picture that she had of herself in her mind's eye.”

“At first she beckoned and lured one into her world; then, she blurred the passageways, confused all the images, as if to elude detection.”